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    <title>Antifa nazi demo files </title>
    <link>http://onebigtorrent.org/details.php?id=5844</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; AND MUCH MORE! NEW FILES!/1 Mai2004 Nazis Antifa Widerstand Demo Riot Riots Autonome Bullen Berlin Npd Demonstration Wasserwerfer Indymedia Umbruch Attac.wmv 10 MiB /10 Remember When It Rained.mp3 11 MiB /12-12-Antifa hooligans.mp3 6 MiB /14jun06-AFS.wmv 14 MiB /20 Nazi Punks Fuck Off.mp3 2 MiB /28jan06-AFS.wmv 15 MiB /2sep06-AFS.wmv 44 MiB /30nov04-AFS.wmv 26 MiB /30nov05-AFS.wmv 71 MiB /Ali G - Nazi Report.avi 16 MiB /Anarchist Leftist Students fight nazis in Turkey.mpg 4 MiB /Anarchists bid bon voyage to the Nazis.flv 5 MiB /Anarchists clash with neo nazis in Prague. 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    <title>Fritänkaren (aka The Freethinker) (Watkins, 2004)-CiNeMANiAC</title>
    <link>http://onebigtorrent.org/details.php?id=5785</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Misc&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Frit&amp;auml;nkaren (aka The Freethinker) (Watkins, 2004)-CiNeMANiAC&#13;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;(ENGLISH AND FRENCH SUBTITLES INCLUDED)&#13;
The Revolution Gon' Come&#13;
&amp;quot;This is Peter Watkins (epic) companion-piece to his highly acclaimed &amp;quot;Edvard Munch&amp;quot; (1974). &amp;quot;The Freethinker&amp;quot; examines the life, art, and times of the noted Swedish dramatist August Strindberg, author of Miss Julie, Inferno, and Dance of Death. Strindberg is depicted as a rebel, and idealistic and controversial iconoclast who openly criticized the hypocrisy of 19th century society.&amp;quot; (p. back cover) The film broadly focuses on 3 aspects of Strindberg's life- the impact of his childhood on his psychology and future work; the meaning of his relationship with his first wife, and the way in which Strindberg, as an author, created works that confronted the social injustices of their time.&#13;
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&amp;quot;This is a unique, complex and truly collaborative project, which focuses much on Strindberg's often turbulent relationship with his first wife, Siri Von Essen, was based on original and detailed research carried out by Peter Watkins and produced as part of a full length video production course at the Nordens Folkhogskola Biskops-Arno (a film school in Sweden), taking two years to complete (after Wakins had worked for 2 and a half years on research and scriptwriting). The students raised all the funds, sewed all the costumes, learned to operate the equipment and performed all the functions involved in s major theatrical video production.&amp;quot; (p. back cover) Watkins has organized the film with slow-paced editing in order to to maximize the viewers ability to ponder and reflect on what is portrayed in the film (a direct counter to the fast paced editing and organization of popular cultural texts, &amp;quot;which are designed for maximum manipulation and minimum time for reflection&amp;quot; (p. 4)). &#13;
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Structured non-linearly, Watkins has woven these 3 elements of Strindberg's life together, along with juxtapositions of excerpts from his texts, with hopes of, &amp;quot;highlighting the complexity of Strindberg's life, and the meaning of the seeming contradictions in his work.&amp;quot; (p. 5) This, Watkins hopes, will enable the viewer to not only learn about Strindberg's life and influence, but also foster critical thought about the state of the mass media and popular culture- as Strindberg's works did for his own time.&#13;
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Watkins has thus heeded the calls of Screen Theorists and has sought to revolutionize the film production process by making it a truly collective, grassroots, collaborative project made almost entirely with non-professional cast and crew members with no previous experience.&#13;
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Accompanying this DVD is a 16 page booklet which includes a letter-essay that Watkins had written to 70 different high schools and teacher training colleges around Sweden, with hopes that it would clarify some of the more broad social and political implications that the film may influence.&#13;
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Watkins claims to have accompanied this letter as it is felt that he has been socially and politically marginalized by the mainstream media- especially in regards to his discussion surrounding the &amp;quot;crisis of the mass media&amp;quot;- and thus does not want, nor trust, how mainstream journalists and critics interpret and criticize his work. The following statement is included in the &amp;quot;Copyright statement&amp;quot; in the booklet: &amp;quot;With the advancement of globalization and the professional marginalization of Peter Watkins work- especially his critical writings - have increased. This has manifested itself by journalists removing any critical references made by Peter himself (e.g. in an interview) and only quoting his comments about creative and production matters. Even when journalists do include comments made by Peter Watkins, re the crisis of the mass media or the political meaning of his own work, these elements are nearly always reduced or removed entirely by copy editors. The result is inevitably an unbalanced article, devoid of any political or critical context.&#13;
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As a result of these and many other problems, Peter Watkins no longer gives interviews of any kind. His practice is now to prepare texts on his films in which he tries to cover as many creative and critical elements as possible, based on questions he has been asked in the past.&amp;quot; (p. 1) &#13;
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PLEASE SEED AND ENJOY!!!&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;1&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;1</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=5719">
    <title>Ebook - The rise and fall of anarchy in America</title>
    <link>http://onebigtorrent.org/details.php?id=5719</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; eBooks, Magazines, Audio Books&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; The rise and fall of anarchy in America. From its incipient stage to the first bomb thrown in Chicago. A comprehensive account of the great conspiracy culminating in the Haymarket massacre, May 4th, 1886 ... the apprehension, trail, conviction and execution of the leading conspirators (1888)&#13;
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Author: McLean, George N; Lawrence J. Gutter Collection of Chicagoana (University of Illinois at Chicago) ICIU&#13;
Subject: Anarchism; Haymarket Square Riot, Chicago, Ill., 1886&#13;
Publisher: Chicago, Philadelphia, R. G. Badoux &amp; co.&#13;
Year: 1888&#13;
Possible copyright status: NOT_IN_COPYRIGHT&#13;
Language: English&#13;
Call number: 756316&#13;
Digitizing sponsor: CARLI: Consortium of Academic and Research Libraries in Illinois&#13;
Book contributor: University of Illinois at Chicago&#13;
Collection: americana&#13;
Scanfactors: 4&#13;
Description&#13;
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Lawrence J. Gutter Collection of Chicagoana&#13;
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Selected metadata&#13;
Identifier: risefallofanarch00mcle&#13;
Mediatype: texts&#13;
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Scanningcenter: indiana&#13;
Ppi: 500&#13;
Camera: Canon 5D&#13;
Operator: scanner-janet-breitenwischer@...&#13;
Scanner: scribe5.indiana.archive.org&#13;
Scandate: 20090226143537&#13;
Imagecount: 336&#13;
Identifier-access: http://www.archive.org/details/risefallofanarch00mcle&#13;
Identifier-ark: ark:/13960/t2v412d8x&#13;
Ocr: ABBYY FineReader 8.0&#13;
Sponsordate: 20090228&#13;
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This ebook is in the Public Domain, digitized by archive.org&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;63&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;4</description>
    <seeders>63</seeders>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=5446">
    <title>State of Siege (Costa Gavras, 1972, on Tupamaros)</title>
    <link>http://onebigtorrent.org/details.php?id=5446</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Misc&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt;  From http://en.wikipedia.org/wiki/State_of_Siege: &#13;
 In Uruguay in the early 1970s, before the military dictatorship, an official of the US Agency for International Development (a group used as a front for training foreign police in counterinsurgency methods) played by Montand, is kidnapped by a group of urban guerrillas. &#13;
 Using his interrogation as a backdrop, the film explores the often brutal consequences of the struggle between Uruguay's government and the leftist Tupamaro guerrillas and expose the American intervention in Latin America Dictatorships and her central role in the violation of human rights on those dark times. &lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;4&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;2</description>
    <seeders>4</seeders>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=4832">
    <title>Seeing Red Radio Shows Complete to Present</title>
    <link>http://onebigtorrent.org/details.php?id=4832</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; News &amp; Current Affairs&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; This is an archive of all of the Seeing Red Radio Shows currently available on seeingredradio.org.&#13;
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Seeing Red Radio is a Revolutionary Socialist radio program that covers the headlines from the front-lines of the International class war. Tune in and arm yourself with the history, culture, and theory that can make a more humane world possible. &#13;
&#13;
Seeing Red is broadcast on Valley Free Radio, WXOJ-LP, 103.3 FM, Northampton, MA and can be heard on the webstream on Thursdays at 8 PM Eastern. Podcast available on Saturday. Subscribe to the podcast in iTunes or on www.seeingredradio.org.&#13;
&#13;
Seeing Red is also now available at Audioport.org for any Pacifica Network Affiliate that is interested in adding Seeing Red to their broadcast schedule. If so, please contact connect@seeingredradio.org. Seeing Red can also be found at radio.indymedia.org, archive.org, and radio4all.net.&#13;
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If you like what you hear, please visit www.seeingredradio.org and support radical, independent grassroots media.&#13;
&#13;
3/19/09 - Extended Seeing Red Show&#13;
3/12/09 - Unionbusting, Madagascar and the Ponzi Scheme of Iraq&#13;
2/26/09 - Anti-War Movement, EFCA and the Dialectics of Revolution&#13;
2/19/09 - Sherry Wolf, Afghanistan Reconstruction and Israeli Divestment&#13;
2/12/09 - David Harvey on Stimulus and American Hegemony&#13;
2/5/09 - March 21st on the Pentagon, Iraqi Gravediggers, S. African Dockworkers, and the Global Recession&#13;
1/29/09 - Noam Chomsky on Gaza&#13;
1/22/09 - Obama, Gaza and Free Market Fantasies&#13;
1/15/09 - Seeing Red Radio January 15th, 2009&#13;
1/08/09 - Israel's Babarity&#13;
1/01/09 - New Year Show&#13;
12/18/08 - Yet Another Show&#13;
11/13/08 - First, New, Old Show&#13;
6/26/08 - US Oil Companies Back in Iraq and Mumia Abu-Jamal&#13;
5/2/07 - 2007 May Day Show&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;1&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;0</description>
    <seeders>1</seeders>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=4620">
    <title>Seeing Red Radio: Revolutionary Socialist Radio - Jan. '09 to present </title>
    <link>http://onebigtorrent.org/details.php?id=4620</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; News &amp; Current Affairs&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; This is an archive of the 2009 Seeing Red Radio Shows currently available on seeingredradio.org.&#13;
&#13;
2/12/09 - David Harvey on Stimulus and American Hegemony&#13;
2/5/09 - March 21st on the Pentagon, Iraqi Gravediggers, S. African Dockworkers, and the Global Recession&#13;
1/29/09 - Noam Chomsky on Gaza&#13;
1/22/09 - Obama, Gaza and Free Market Fantasies&#13;
1/15/09 - Seeing Red Radio January 15th, 2009&#13;
1/08/09 - Israel's Babarity&#13;
1/01/09 - New Year Show&#13;
&#13;
Seeing Red Radio is a Revolutionary Socialist radio program that covers the headlines from the front-lines of the International class war. Tune in and arm yourself with the history, culture, and theory that can make a more humane world possible. &#13;
&#13;
Seeing Red is broadcast on Valley Free Radio, WXOJ-LP, Northampton, MA and can be heard on the webstream on Thursdays at 8 PM Eastern. Podcast available on Saturday. Subscribe to the podcast in iTunes or on www.seeingredradio.org.&#13;
&#13;
Seeing Red is also now available at Audioport.org for any Pacifica Network Affiliate that is interested in adding Seeing Red to their broadcast schedule. If so, please contact connect(at)seeingredradio.org. Seeing Red can also be found at radio.indymedia.org, archive.org, and radio4all.net.&#13;
&#13;
If you like what you hear, please visit www.seeingredradio.org and support independent grassroots media.&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;0&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;0</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=3705">
    <title>Die Dreigroschenoper - Kurt Weill/Bert Brecht (mp3)</title>
    <link>http://onebigtorrent.org/details.php?id=3705</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Misc&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; The Threepenny Opera (Die Dreigroschenoper) is a revolutionary[1] work of musical theatre, by German dramatist Bertolt Brecht and composer Kurt Weill, in collaboration with translator Elisabeth Hauptmann and set designer Caspar Neher, adapted from an 18th century English ballad opera, John Gay's The Beggar's Opera. Premiering on August 31, 1928, at Berlin's Theater am Schiffbauerdamm, Die Dreigroschenoper offers a socialist critique of the capitalist world.&#13;
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Set in a marginally anachronistic Victorian London, the play focuses on the stories of the working class, rather than those liable to attend fashionable upper-crust operas. The protagonist, in the original opera as well as the Brecht/Weill adaptation, is Macheath, an elegant highwayman for Gay and an amoral, anti-heroic criminal for Brecht/Weill. In an acknowledgement of the earlier work, Weill sets his opening number, Morgenchoral des Peachum, to the music used by composer Pepusch in Gay's original.&#13;
Macheath (Mackie Messer, or Mack the Knife) marries Polly Peachum. This displeases her father, who controls the beggars of London, and he endeavours to have Macheath hanged. But his moves are hindered by the fact that the chief of police, Tiger Brown, is Macheath's childhood friend. Still, Peachum exerts his influence and eventually gets Macheath arrested and sentenced to hang. Moments before the execution, in an unrestrained parody of a happy ending, Brecht sends in a hard-riding messenger from the &amp;quot;Queen&amp;quot; (the chronology is deliberately muddied) to pardon Macheath and grant him a baronetcy.&#13;
The play directly challenges the audience by breaching the &amp;quot;fourth wall&amp;quot; with what Brecht called Verfremdungseffekt, or the &amp;quot;alienation effect.&amp;quot; For example, slogans are projected on the back wall and the characters sometimes carry picket signs, or stand at times with their backs to the audience. The play challenges conventional notions of property as well as those of theatre. It asks the central and highly political question, &amp;quot;Who is the bigger criminal: he who robs a bank or he who founds one?&amp;quot;&#13;
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**http://en.wikipedia.org/wiki/Die_Dreigroschenoper** - has a useful synopsis&#13;
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&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;0&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;0</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=2743">
    <title>Jimmy Carter_Palestine - Peace Not Apartheid [e-book]</title>
    <link>http://onebigtorrent.org/details.php?id=2743</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; eBooks, Magazines, Audio Books&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; E-book in Jpeg format. A must read!&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;8&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;2</description>
    <seeders>8</seeders>
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