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  <item rdf:about="http://onebigtorrent.org/details.php?id=7395">
    <title>CBC Doc Zone-Up Against the Wall (2009).WS-PDTV.XviD.Ekolb</title>
    <link>http://onebigtorrent.org/details.php?id=7395</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Up Against the Wall &#13;
Thursday November 19, 2009 at 8 pm on CBC-TV &#13;
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Twenty years ago, the world watched, spellbound, as the Berlin Wall came down. In the hopeful euphoria that followed, it seemed as if walls would be a thing of the past. Coinciding with the arrival of economic globalization, it looked like people and goods would finally be able to move freely across borders worldwide. &#13;
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But then 9/11 happened and, as they say, &amp;quot;everything changed&amp;quot;. In the post-9/11 world, &amp;quot;national security&amp;quot; became the watchword, and it soon became clear that walls ? and sophisticated new, hi-tech versions at that - were back with a vengeance. In fact, they were proliferating all around the world, with over a dozen new walls going up since the Berlin Wall came down. &#13;
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Up Against the Wall, produced by Gail McIntyre, and written and directed by documentary filmmaker Eileen Thalenberg, looks at this growing phenomenon of new wall-building, focusing on three hot spots around the world, where extremely controversial walls have gone up. Thalenberg travels along the huge expanse (and expense!) of the 'Tortilla Wall' that the United States is constructing along its border with Mexico. She also explores both sides of the elaborate wall and fence system Israel has built between itself and the West Bank. &#13;
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And, finally, Thalenberg journeys to the autonomous Spanish cities of Ceuta and Melilla on the coast of Morocco. The walls surrounding those little-known European enclaves in Africa give us a glimpse into the new &amp;quot;Fortress Europe&amp;quot;. With those walls blocking entry into Europe, desperate Africans risk their lives crossing the Mediterranean Sea in flimsy boats provided by human traffickers. As Thalenberg reveals, they often wind up, by the thousands, in detention camps across Europe. Most are eventually sent home. &#13;
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The fall of the Berlin Wall was an act of freedom, symbolizing the triumph of democracy over totalitarianism. &amp;quot;The great irony,&amp;quot; says Thalenberg, &amp;quot;is that the three new walls we focus on in the film were all constructed by democracies. What we found repeatedly was that walls have a stated agenda and a hidden one. Walls are often built in the name of national security, but the real reason is to keep people out, though, of course, nobody much wants to say that.&amp;quot; &#13;
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In a traumatized post 9/11 world, a wall is an easy sell. It gives the impression that something is being done to protect people. In fact, walls are an expression of what is most primitive in us all ? the fear of &amp;quot;the other&amp;quot;. &#13;
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&amp;quot;In the short term a wall may address some of those problems,&amp;quot; says Thalenberg. &amp;quot;But we found that in the longer term, in each case, there were unexpected, sometimes alarming impacts. Very often the wall made things worse.&amp;quot; &#13;
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Up Against the Wall poses the questions: Do walls, in fact, work? What are the real costs both in financial and human terms? How do walls affect people living on both sides? The film also explores the themes of borders, sovereignty, migration and human rights. &#13;
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The experience of making the film turned out to be one of the most difficult of Thalenberg's career for personal reasons. &amp;quot;I started my own life in a refugee camp with my parents, and here I was filming in refugee and detention camps. At a camp in Sicily we met an Ethiopian father holding his little girl in his arms and as I stood looking at them I thought, 'That was me and my father all those years ago.'&amp;quot; &#13;
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Up Against the Wall is produced by Stormy Night Productions III and 6663036 Canada Inc. in association with the Canadian Broadcasting Corporation. &#13;
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Format : AVI &#13;
Length : 349 MiB for 44mn 6s 79ms &#13;
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Codec : XviD &#13;
Source : PDTV &#13;
Language : English CA &#13;
Subtitles : None &#13;
Genre : Documentary &#13;
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Video #0 : MPEG-4 Visual at 970 Kbps &#13;
Aspect : 576 x 336 (1.714) at 29.970 fps &#13;
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Audio #0 : MPEG Audio at 123 Kbps &#13;
Infos : 2 channels, 48.0 KHz &#13;
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Enjoy! &#13;
Ekolb&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;1&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;2</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7364">
    <title>La Joven Revolucion Hondureña</title>
    <link>http://onebigtorrent.org/details.php?id=7364</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
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SYNOPSIS:  This documentary &amp;quot;The young Honduran revolution&amp;quot; was made by German-Danish activist Johannes Wilm. While working for the revolutionary Nicaraguan government he snuck across the border to Honduras in early August to document the resistance movement in the neighboring Central American republic, after a military coup had overthrown Leftist president Manuel Zelaya on June 28th. By coincidence he documents how for the first time in nearly thirty years the majority of students rise up against the police in a battle of 3000 students fighting police on the campus of the Autonomous University of Honduras in Tegucigalpa on August 5th.  The documentary shows where the student leaders come from, what their analysis of the current situation is, what plans they have for changing it, and what perspective for the future they see both for them personally and for the country at large. It is 90 minutes long and it is made in Spanish with English subtitles.  The film has so far been shown in various cities in the south west and in 12 countries in Latin America.  It has been featured by a number of Latin American magazines and in the US by the Monthly Review and the Upside Down World site. It will be shown in Los Angeles at the &amp;quot;Human Rights Film Festival&amp;quot; on the 23rd of October, then in Hermosillo, Sonora where it will be shown to journalist students of Kino University on the 27th and to other students at the University of Sonora on the 29th. In Arizona where it will be shown amongst other places at the U of A  on the 9th of November and at ASU in Phoenix  on the 4th and. At UC Berkley the SDS will present it on the 12th of November. &#13;
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IMDb.............: Not yet. Feel free to create an IMDB-listing.&#13;
Year.............: 2009 &#13;
Country..........: Honduras/Nicaragua       &#13;
Runtime..........: 90 Minutes&#13;
Audio............: Spanish (Stereo)       &#13;
Subtitles........: Spanish, English, Norwegian       &#13;
Video Format.....: NTSC &#13;
Aspect Ratio.....: 16:9       &#13;
DVD Format.......: Anamorphic &#13;
DVD Source.......: DVD5       &#13;
DVD Distributor..: [url=http://www.johanneswilm.org]Johannes Wilm[/url] &#13;
Program..........: DVD Decrypter       Average Bit Rate.: 5.65 Mb/sec       Menus............: [X] Untouched                        [ ] Stripped      Video............: [X] Untouched                        [ ] Re-encoded      DVD-extras.......: [X] Untouched                        [ ] Stripped                        [ ] Re-encoded                        [ ] None      DVD-Audio........: [X] Untouched                        [ ] Stripped tracks&#13;
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Extras:       .  self-interview by creator Johannes Wilm on background for filming and terminology.      Uploader Comments:       This film is uploaded to onebigtorrent.org with the approval of film maker Johannes Wilm in an effort to spread knowledge about the situation in Honduras. It is important to us that the world sees what happens in broad daylight, so that we may better stand together in the fight for democracy and human rights. If you like this film (or even if you dislike it), please help us spread the word. You can comment the film here, at the blog of the filmmaker, or at the facebook page for the documenary. The biggest problem for political art is not piracy, it's anonymity. Help us fight it!  And enjoy! =)&#13;
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&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;5&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;4</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7358">
    <title>Who Will Tell the People - William Greider (ebook) [cpdl]</title>
    <link>http://onebigtorrent.org/details.php?id=7358</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; eBooks, Magazines, Audio Books&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Copy&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &#13;
Paste&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; title:&amp;nbsp; Who Will Tell The People?: The Betrayal of American Democracy&#13;
Digital&amp;nbsp;&amp;nbsp; |&amp;gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; author:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; William Greider&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &#13;
Librarian | `&amp;gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; isbn:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 0671867407&#13;
&amp;nbsp;&amp;nbsp; _______|&amp;nbsp;&amp;nbsp; `____________&amp;nbsp;&amp;nbsp;&amp;nbsp; &#13;
&amp;nbsp; ||&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; |&amp;nbsp;&amp;nbsp;&amp;nbsp; |&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; |&amp;nbsp;&amp;nbsp; word count:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 1,188,012&#13;
&amp;nbsp; ||infor-|&amp;nbsp;&amp;nbsp;&amp;nbsp; |control + a||&amp;nbsp; pages:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 464&#13;
&amp;nbsp; ||mation|&amp;nbsp;&amp;nbsp;&amp;nbsp; |&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ||&amp;nbsp; format:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; htm&#13;
&amp;nbsp; ||wants |&amp;nbsp;&amp;nbsp;&amp;nbsp; |control + c||&amp;nbsp; version:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 1&#13;
&amp;nbsp; ||to be&amp;nbsp; &amp;gt;&amp;nbsp;&amp;nbsp; |&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; ||&amp;nbsp; CPDL&#13;
&amp;nbsp; ||free&amp;nbsp;&amp;nbsp;&amp;nbsp; `&amp;gt; |control + v||&amp;nbsp; release no.:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; 00014&#13;
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&amp;nbsp; |___________&amp;gt;&amp;lt;____________|&#13;
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This book describes the how and why most American citizens are depoliticized and will not vote. &#13;
Public relations are used to attract voters and voters have no access to government power.&#13;
The American government policy makers apply laws selectively in order to protect the same &#13;
corporations that found their elections PR. &#13;
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http://www.worldcat.org/oclc/25281775&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;7&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;0</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7357">
    <title>Viva Zapatero</title>
    <link>http://onebigtorrent.org/details.php?id=7357</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
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english sub: http://www.opensubtitles.org/en/subtitles/3300702/viva-zapatero-en&#13;
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Viva Zapatero! is a documentary by Sabina Guzzanti telling her side of the story regarding the conflict with Silvio Berlusconi over a late-night TV political satire show broadcast on RAI-3.&#13;
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The show, RAIot (a play on the name of the Italian state public TV: RAI, and the English word riot), lampooned prime minister Berlusconi. Since it wasn't considered a satirical show, but a political one, it was cancelled after the first episode.&#13;
&#13;
Story&#13;
&#13;
The TV broadcasting of the satirical program RAIot was censored in November 2003 after the comedienne, Sabina Guzzanti, made outspoken criticism of the Berlusconi media empire. Mediaset, one of Berlusconi's companies, sued the Italian state broadcasting company RAI because of the Guzzanti show asking for 20 million Euro for &amp;quot;damages&amp;quot; and from November 2003 she was forced to appear only in theatres around Italy.&#13;
&#13;
After the show was cancelled, Guzzanti tried fruitlessly to get it reinstated, in spite of the fact that a judge dismissed the case that initially resulted in the termination of the show. Her struggle however, did result in this film. The documentary openly reveals censorship laws that Italian Prime Minister Silvio Berlusconi is presently imposing on the country's freedom of speech. It is seen by some as Italy's &amp;quot;Fahrenheit 9/11.&amp;quot;[citation needed]&#13;
&#13;
In August 2005, it was the sleeper hit of the Venice International Film Festival, receiving a 15-minute standing ovation after its premiere screening. When it opened in Italian theaters, over 200,000 people went to see it in the first week. Its success resulted in an invitation to the 2006 Sundance Film Festival.&#13;
from wikipedia&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;1&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;3</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7355">
    <title>Viva Zapatero</title>
    <link>http://onebigtorrent.org/details.php?id=7355</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
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Viva Zapatero! is a documentary by Sabina Guzzanti telling her side of the story regarding the conflict with Silvio Berlusconi over a late-night TV political satire show broadcast on RAI-3.&#13;
The show, RAIot (a play on the name of the Italian state public TV: RAI, and the English word riot), lampooned prime minister Berlusconi. Since it wasn't considered a satirical show, but a political one, it was cancelled after the first episode.&#13;
Story&#13;
The TV broadcasting of the satirical program RAIot was censored in November 2003 after the comedienne, Sabina Guzzanti, made outspoken criticism of the Berlusconi media empire. Mediaset, one of Berlusconi's companies, sued the Italian state broadcasting company RAI because of the Guzzanti show asking for 20 million Euro for &amp;quot;damages&amp;quot; and from November 2003 she was forced to appear only in theatres around Italy.&#13;
After the show was cancelled, Guzzanti tried fruitlessly to get it reinstated, in spite of the fact that a judge dismissed the case that initially resulted in the termination of the show. Her struggle however, did result in this film. The documentary openly reveals censorship laws that Italian Prime Minister Silvio Berlusconi is presently imposing on the country's freedom of speech. It is seen by some as Italy's &amp;quot;Fahrenheit 9/11.&amp;quot;[citation needed]&#13;
In August 2005, it was the sleeper hit of the Venice International Film Festival, receiving a 15-minute standing ovation after its premiere screening. When it opened in Italian theaters, over 200,000 people went to see it in the first week. Its success resulted in an invitation to the 2006 Sundance Film Festival.&#13;
from wikipedia&#13;
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    <title>Burma VJ</title>
    <link>http://onebigtorrent.org/details.php?id=7346</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Going beyond the occasional news clip from Burma, the acclaimed filmmaker, Anders Østergaard, brings us close to the video journalists who deliver the footage. Though risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they insist on keeping up the flow of news from their closed country. Armed with small handycams the Burma VJs stop at nothing to make their reportages from the streets of Rangoon. Their material is smuggled out of the country and broadcast back into Burma via satellite and offered as free usage for international media. The whole world has witnessed single event clips made by the VJs, but for the very first time, their individual images have been carefully put together and at once, they tell a much bigger story. The film offers a unique insight into high-risk journalism and dissidence in a police state, while at the same time providing a thorough documentation of the historical and dramatic days of September 2007, when the Buddhist monks started marching.&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;16&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;2</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7345">
    <title>Bill Moyers - The Public Mind (1989) Pt3 Illusions of News</title>
    <link>http://onebigtorrent.org/details.php?id=7345</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Bill Moyers&#13;
&amp;quot;The Public Mind: Image and Reality in America&amp;quot; (1989)&#13;
Part Three: &amp;quot;Illusions of News&amp;quot;&#13;
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PBS broadcast -&amp;gt; VHS -&amp;gt; Xvid/MP3&#13;
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Bill Moyers followed his successful &amp;quot;The Power of Myth&amp;quot; and &amp;quot;The World of Ideas&amp;quot; series with a four-part overview of &amp;quot;image and reality in America.&amp;quot; The third part of the series, &amp;quot;Illusions of News,&amp;quot; is particularly powerful in its discussion of the news media and how it serves the purposes of the powerful. Much of what is revealed in this program, now 20 years old, still holds true today.&#13;
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Beginning with the assertion that the &amp;quot;market determines the news,&amp;quot; Moyers interviews various media critics (including authors Ben Bagdikian and Todd Gitlin), and personalities (Lesley Stahl of CBS News and Fred Friendly) to determine the extent of the problem. While the idea of news as entertainment is fairly old hat,&amp;nbsp; Moyers reveals that television news is now the victim of its own showmanship. Politicians have discovered the power of the image, and no longer bother with issues--whether the news teams want them or not. TV news is now at the mercy of Presidents and other politicians who decide exactly what they want the public to see. This is electronic journalism at its most meaningful, made even more compelling by host Moyers, who has the honesty to question the apparatus which he freely admits provides his own bread and butter. &#13;
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The other three programs in the series are: Consuming Images, Leading Questions, and The Truth About Lies. If you have copies of the program, please share them.&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;8&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;2</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7342">
    <title>In Guantanamo</title>
    <link>http://onebigtorrent.org/details.php?id=7342</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Guantanamo naval base, 'Gitmo', covers forty five square miles of Cuba inside an area under a controversial 'permanent lease' to the United States. Since 2002, the base has become synonymous with its detainment facilities for suspected terrorists. Although Barack Obama has given orders for the detention camp to be closed, the facilities remain open to this day. David Miller's quiet, powerful film is the result of three days the filmmaker spent touring the camps in May 2008 as part of a small group of media representatives allowed there. Although the event was presented as a chance to 'see inside' the working of Guantanamo, it was in fact a carefully staged PR exercise designed to yield predictable, stale, controlled media images.&#13;
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The film was produced in 2008/2009 in conjunction with Yvonne Ridley, PRSNL Pictures and the VODO team. Special thanks to Editor Luca Lucarini.&#13;
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IN GUANTANAMO is released via VODO under a Creative Commons Non-Commerical No-Derivs Attribution License. The filmmaker does not permit remixes but would like the work to be shared freely for non-commercial purposes. &#13;
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ABOUT VODO&#13;
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VODO is founded by Jamie King, one of the figures behind STEAL THIS FILM (www.stealthisfilm.com). VODO brings filmmakers together with the distribution power of the filesharing community. It aims to offer fresh, quality films on a free-to-share basis, promoted and distributed through a 'coalition' of filesharing partners that includes big names like The Pirate Bay, Mininova, Miro, TorrentFreak, Isohunt, Plube, OneDDL Vuze and and Frostwire, amongst many others.&#13;
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'Together, the filesharing community has a distribution capacity that rivals and even exceeds that of the mainstream media,' says Jamie King. 'VODO aims to leverage that power for the benefit of filmmakers and other creators. By sharing films freely through the most popular and fastest growing filesharing sites, we're building audiences in the hundreds of thousands for artists. That has material value for these filmmakers, through raised profile, donations and marketing. It's a win-win situation and it's the future of distributing media after copyright.'&#13;
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Followers of release groups like aXXo will be familiar with the model. But VODO is a release group with a twist. Not only are artists voluntarily sharing: downloaders can choose to make voluntary donations to creators. VODO lets creators manage their own donation links, with all donations going directly to the filmmaker. Regular supporters of the VODO project will receive access to all the films being considered for release.&#13;
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VODO aims to release at least one film per month during the rest of 2009 and 2010. Forthcoming titles include the premiere of 'In Guantanamo', a documentary by first-time director David Miller that provides unprecedented access to the Guantanmo prison camps - but King says that fiction titles, animation and shorts will also be on the distribution list. 'During 2010 VODO will build out a series of revenue opportunities for its creators, with the free-to-share model at their core,' he explains.&#13;
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ABOUT THE TEAM&#13;
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VODO collaborators include Nils Hellberg of Piratbyran (Sweden, Design) and Rama Cosentino of BurnStation (Argentina, programming), with programming support by Dan O' Huiginn (UK). Members of the advisory board include Ashwin Navin, ex-CEO of Bittorrent Inc., and Peter Sunde of The Pirate Bay. VODO, which has been in development&#13;
since 2008, has been produced with the support of the Arts Council UK, Emerald Fund and the Channel 4 British Documentary Film Foundation. VODO's not hiring right now, but it is looking for voluntary collaborators to help out as it grows and takes shape. Just send an email to info@vodo.net to find out more.&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;1622&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;110</description>
    <seeders>1622</seeders>
    <leechers>110</leechers>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=6609">
    <title>Rethink Afghanistan, Parts 1-6 (2009) (Robert Greenwald)</title>
    <link>http://onebigtorrent.org/details.php?id=6609</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
&amp;quot;Rethink Afghanistan is a ground-breaking, full-length documentary focusing on the key issues surrounding this war. By releasing this film in parts for free online, we are able to stay on top of news of the war as it continues to unfold. We hope to raise critical questions regarding Afghanistan that Congress must address in oversight hearings, which inform the public and challenge policymakers. We strive for more discussion among experts on Afghanistan, like the debates seen below released in conjunction with our documentary campaign.&amp;quot;&#13;
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Rethink Afghanistan is a 2009 documentary about the ongoing war in Afghanistan. This full-length documentary campaign features experts from Afghanistan, the U.S., and Russia discussing critical issues like military escalation, how escalation will affect Pakistan and the surrounding region, the cost of war, civilian casualties, and the rights of Afghan women.&#13;
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The film interviews experts like Andrew Bacevich, Stephen Kinzer, Anand Gopal, Steve Coll, Ann Jones, Linda Bilmes, Jo Comerford, Dr. Roshanak Warnak, and more.&#13;
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As part of the filmmaking process, acclaimed Director Robert Greenwald (Iraq for Sale: The War Profiteers, Outfoxed, Wal-Mart: The High Cost of Low Price) traveled to Afghanistan to meet with and interview members of Afghanistan's parliament, bloggers, women's rights organizations, and groups committed to the peace movement.&#13;
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The ultimate goal of this documentary campaign is to raise the level of public discourse, compel people to ask key questions about the war, and urge Congress to hold oversight hearings. Already, the campaign has successfully helped retired Corporal Rick Reyes and other veterans testify before the Senate Committee on Foreign Relations and meet with members of Congress.[2] Reyes, who served in both Iraq and Afghanistan, testified before Sen. John Kerry and the Senate Foreign Relations Committee.&#13;
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He told the committee, &amp;quot;Sending more troops will not make the US safer; it will only build more opposition against us. I urge you on behalf of truth and patriotism to consider carefully and Rethink Afghanistan.&amp;quot;&#13;
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This important documentary was captured from high-quality, streaming Flash videos at its website (RethinkAfghanistan.com). The FLV files were then converted to x264 MP4 video format. These files will produce an excellent-quality DVD when converted. The filmmaker Robert Greenwald is released this film one part at a time; only 5 parts were planned originally, but they have currently released 6 parts, so perhaps what's included here is the complete film.&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;10&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;9</description>
    <seeders>10</seeders>
    <leechers>9</leechers>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=6608">
    <title>Democracy Now! Tuesday, November 10, 2009</title>
    <link>http://onebigtorrent.org/details.php?id=6608</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; News &amp; Current Affairs&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Today's Headlines&#13;
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    Iran Accuses Detained Americans of Espionage&#13;
    CBS: Obama to Send Up to 40,000 Troops to Afghanistan&#13;
    40 Democrats Threaten to Reject Healthcare Bill over Abortion Restrictions&#13;
    Fort Hood Shooter to Be Tried in Military Court&#13;
    Survey Highlights Global Concerns over Free Market Capitalism&#13;
    Palestinians Knock Down Part of West Bank Wall Again&#13;
    EPA Attempts to Silence Agency Critics of Cap and Trade&#13;
    Maldives President Urges Developing Nations to Become Carbon Neutral&#13;
    Whistleblower: Peak Oil Closer than IEA Forecasts Show&#13;
    China Executes Nine over Xinjiang Riots&#13;
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    Watchdog: New York State Regulation of Natural Gas Wells Has Been &amp;quot;Woefully Insufficient for Decades.&amp;quot;&#13;
    The New York-based Toxics Targeting went through the Department of Environmental Conservation&amp;rsquo;s own database of hazardous substances spills over the past thirty years. They found 270 cases documenting fires, explosions, wastewater spills, well contamination and ecological damage related to gas drilling. Many of the cases remain unresolved. The findings are contrary to repeated government assurances that existing natural gas well regulations are sufficient to safeguard the environment and public health. The state is considering allowing for gas drilling in the Marcellus Shale watershed, the source of drinking water for 15 million people, including nine million New Yorkers.&#13;
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    Filmmaker Philippe Diaz on &amp;quot;The End of Poverty?&amp;quot;&#13;
    Earlier this year, the IMF and the World Bank warned that the financial crisis posed a serious challenge to reducing poverty. The World Bank predicted that the economic crisis could push another 53 million people in the global South into poverty. Well, according to the latest numbers from the United Nations, we&amp;rsquo;re now up to 2.7 billion people around the world who survive on less than two dollars a day, one billion of whom live on less than a dollar a day. Given the dire statistics and the widening gap between the rich and the poor, how can we see the eradication of poverty? That&amp;rsquo;s the central question of a new documentary called The End of Poverty?&#13;
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    Hoodwinked: Former Economic Hit Man John Perkins Reveals Why the World Financial Markets Imploded -- and How to Remake Them &#13;
    John Perkins calls himself a former economic hit man. He has seen the signs of today&amp;rsquo;s financial meltdown before. The subprime mortgage fiasco, the collapse of the banking industry, the rising unemployment rate&amp;mdash;these are all familiar to him. Perkins was on the front lines of monitoring and helping create these very events that were once just confined to the Third World. From 1971 to 1981, he worked for the international consulting firm of Chas T. Main, where he was a self-described &amp;ldquo;economic hit man.&amp;rdquo; He is the author of the New York Times bestseller Confessions of An Economic Hit Man and The Secret History of the American Empire.&#13;
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&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;28&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;48</description>
    <seeders>28</seeders>
    <leechers>48</leechers>
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