OneBigTorrent.org

Writings of Karl Marx PDF Collection

Category: eBooks, Magazines, Audio Books
Description:
Use winrar or 7zip to open/unpack, no password needed!
Seeders: 0
Leeches: 1

The Anarchist Library on torrent

Category: eBooks, Magazines, Audio Books
Description:
The whole archive of theanarchistlibrary.org
Seeders: 14
Leeches: 3

marxism, state, international relations, imperialism, social theory, philosophy

Category: eBooks, Magazines, Audio Books
Description:
A few books about Marxism, state, international relations, imperialism, social theory and philosophy.
Seeders: 1
Leeches: 0

The Battle of Algiers

Category: Misc
Description:
Movies : Documentary : DVD Full : English I can't claim original credit for this torrent - it was on TPB a while ago. This torrent includes: 1- The original DVD of The Battle of Algiers (French, with English subtitles) 2- Seven additional documentaries/mini-documentaries about the Battle of Algiers documentary and the events it covered (some are French with English subtitles and some are in English). Please seed. The events depicted in these films do not deserve to be forgotten. And this is one of the finest documentaries ever made. -free24601
Seeders: 0
Leeches: 27

Anti-Authoritarian Politics Books - Anarchism, Democratic Socialism

Category: eBooks, Magazines, Audio Books
Description:
|-- Acharya S - Zeitgeist - Christian Mythlogy - Jesus and Horus - Companion Guide.pdf |-- Ahmed - The War on Freedom - How and Why America Was Attacked [911, WTC, Bush, neocons] (2002).pdf |-- Albert - Liberating Theory [poor layout] (South End, 1986).pdf |-- Antipsychiatry | |-- Cleckley - The Mask of Sanity.pdf | |-- Farber - Madness, Heresy and The Rumor of Angels.pdf | |-- Foucault - Madness and civilization.pdf | |-- Laing - The Divided Self - An Existential Study in Sanity and Madness.pdf | |-- Pridmore - Madness of Psychiatry.pdf | |-- Szasz - Psychiatric Slavery.djvu | `-- Szasz - The Theology of Medicine.djvu |-- Avrich - The Russian Anarchists.pdf |-- Bamford - NSA - Body of Secrets - Anatomy of the Ultra-Secret National Security Agency [possibly unreliable] (2002).pdf |-- Bertrand Russell - In Praise of Idleness (1932).html |-- Bertrand Russell - Political Ideals (1917).pdf |-- Bertrand Russell - Political Ideals (1917).txt |-- Bertrand Russell - Proposed Roads To Freedom (1919).pdf |-- Bertrand Russell - Proposed Roads To Freedom (1919).txt |-- Bolz - The Counterterrorism Handbook - Tactics, Procedures and Techniques 2e (CRC, 2001).pdf |-- Bregman - Israel's Wars 1947-1993 (Routledge, 2000).pdf |-- Brown - Web of Debt - The Shocking Truth about our Money System 3e (Third Millenium, 2007).pdf |-- Carlisle - Encyclopedia of Politics (Sage, 2005) | |-- Carlisle - Encyclopedia of Politics - The Left (Sage, 2005).pdf | `-- Carlisle - Encyclopedia of Politics - The Right (Sage, 2005).pdf |-- Chomsky Noam | |-- Chomsky - 5 books.pdf | |-- Chomsky - America's war on terror.pdf | |-- Chomsky - An Open Media Book (9-11).pdf | |-- Chomsky - An exchange on Manufacturing Consent 2002.pdf | |-- Chomsky - Anarchism & Marxism.pdf | |-- Chomsky - Class Warfare.pdf | |-- Chomsky - Confronting the Empire.pdf | |-- Chomsky - Democracy And Education.pdf | |-- Chomsky - Deterring Democracy.pdf | |-- Chomsky - Fateful Triangle - The United States, Israel and the Palestinians.pdf | |-- Chomsky - Hegemony or Survival - America's Quest for Global Dominance.pdf | |-- Chomsky - Imperial Ambitions.pdf | |-- Chomsky - Iraq is a Trial Run (04.02.2003).pdf | |-- Chomsky - Keeping The Rabble In Line (1994).pdf | |-- Chomsky - Liberating the Mind from Orthodoxies.pdf | |-- Chomsky - Manufacturing Consent - The Political Economy of Mass Media.pdf | |-- Chomsky - Market Democracy in a Neoliberal Order.pdf | |-- Chomsky - Media Control.pdf | |-- Chomsky - Necessary Illusions.pdf | |-- Chomsky - Nine Eleven (9-11).pdf | |-- Chomsky - On Osama Bin Laden.pdf | |-- Chomsky - On War in Afganistan.pdf | |-- Chomsky - Philosophers and Public Philosophy.pdf | |-- Chomsky - Philosophy of Cognitive Science.pdf | |-- Chomsky - Pirates and Emperors, Old and New.pdf | |-- Chomsky - Powers and Prospects.pdf | |-- Chomsky - Preventive War - The Supreme Crime.pdf | |-- Chomsky - Profit over People.pdf | |-- Chomsky - Secrets Lies And Democracy.pdf | |-- Chomsky - The Culture of Terrorism.pdf | |-- Chomsky - The Iraq war and contempt for Democracy.pdf | |-- Chomsky - The Propaganda System.pdf | |-- Chomsky - The prosperous Few and the restless Many (1994).pdf | |-- Chomsky - Torturing Democracy.pdf | |-- Chomsky - Turning the Tide U.S. intervention in Central America and the Struggle for Peace.pdf | |-- Chomsky - Understanding Power (2002).pdf | |-- Chomsky - War Against People.pdf | |-- Chomsky - What Makes Mainstream Media Mainstream.pdf | |-- Chomsky - What Uncle Sam Really Wants.pdf | |-- Chomsky - What the Linguist is Talking About.pdf | |-- Chomsky - Who are the Global Terrorists.pdf | |-- Chomsky - Year 501 The Conquest Continues.pdf | `-- Chomsky - You Are Being Lied To (The Disinformation Guide).pdf |-- Cook - The Long Sexual Revolution (Oxford, 2004).pdf |-- Creveld - The Rise and Decline of the State (1999).pdf |-- Crook - Revolutionary France 1788-1880 (Oxford, 2002).pdf |-- Dasgupta - Economics - A Very Short Introduction.pdf |-- Dawisha - Arab Nationalism in the 20th Century (Princeton, 2003).pdf |-- Dawkins Richard | |-- Dawkins - The God Delusion.pdf | |-- Dawkins - The Selfish Gene (1976).pdf | |-- Richard Dawkins - A Devil's Chaplain (2003).pdf | |-- Richard Dawkins - Extended Phenotype (2004).pdf | |-- Richard Dawkins - River Out Of Eden (1995).pdf | |-- Richard Dawkins - The Blind Watchmaker.pdf | `-- Richard Dawkins - Unweaving The Rainbow.pdf |-- Dissident Voice - Intellectual Cleansing I - Keeping the Media Safe for Big Business.html |-- Dissident Voice - Intellectual Cleansing II - Jonathan Cook Responds.html |-- Edward Bernays - Propaganda (1928).pdf |-- Emma Goldman | |-- EMMA GOLDMAN.gif | |-- Emma Goldman - 1908 - What I Believe.pdf | |-- Emma Goldman - 1909 - A New Declaration of Independence.pdf | |-- Emma Goldman - 1910 - Anarchism What It Really Stands For.pdf | |-- Emma Goldman - 1911 - Francisco Ferrer and The Modern School.pdf | |-- Emma Goldman - 1914 - Voltairine De Cleyre.pdf | |-- Emma Goldman - 1917 - Address To The Jury.pdf | |-- Emma Goldman - 1918 - The Truth About the Bolsheviki.pdf | |-- Emma Goldman - 1923 - My Disillusionment in Russia.pdf | |-- Emma Goldman - 1924 - My Further Disillusionment in Russia.pdf | |-- Emma Goldman - 1931 - Living My Life.pdf | |-- Emma Goldman - 1934 - Was My Life Worth Living.pdf | |-- Emma Goldman - Anarchy Defended by Anarchists.pdf | |-- Emma Goldman - Socialism Caught in the Political Trap.pdf | |-- Emma Goldman - The Social Importance of the Modern School.pdf | |-- Hippolyte Havel - 1911 - EMMA GOLDMAN (Biography).pdf | |-- aandofrontpiecesm.gif | |-- anarchism.jpg | `-- socsigdra.gif |-- Federal Reserve - Modern Money Mechanics.pdf |-- Feenberg - Transforming Technology - A Critical Theory Revisited (Oxford, 2002).pdf |-- Flaschel - Macrodynamics of Capitalism - Synthesis of Marx, Keynes and Schumpeter 2e (Springer, 2009).pdf |-- Fromm - Art of Loving [bw] (Harper, 1956).pdf |-- Fromm - Haben oder Sein (1976).pdf |-- Fromm - Marx's Concept of Man [poor layout] (1961).pdf |-- Fromm - The Art of Loving [dp, no ocr] (1957).pdf |-- Fromm - To Have or To Be (Continuum, 1976).pdf |-- Ganser - NATO's Secret Armies - Operation Gladio and Terrorism in Western Europe (2005).pdf |-- Guerin - Anarchism - From Theory to Practice (1970).pdf |-- Hahnel - ABCs of Political Economy - Modern Primer.pdf |-- Heller - Bojite se socialismu (Periskop, 2007).pdf |-- Illich - Deschooling Society [html] (1970).pdf |-- Karl Marx and Marxism | |-- Albritton - New Dialectics and Political Economy (Palgrave, 2004).pdf | |-- Blakeley - Marx and Other Four-Letter Words (Pluto, 2005).pdf | |-- Carver - The Cambridge Companion to Marx (1991).pdf | |-- Collier - Marx - Beginner's Guide (Oneworld, 2004).pdf | |-- Fine - Marx's Capital 4e (Pluto, 2004).pdf | |-- Glasser - Twentieth Century Marxism - Global Introduction (Routledge, 2007).pdf | |-- Hollander - The Economics of Karl Marx - Analysis and Application (Cambridge, 2008).pdf | |-- Hutnyk - Bad Marxism - Capitalism and Cultural Studies (Pluto, 2004).pdf | |-- LeBaron - Mao, Marx and The Market (Wiley, 2002).pdf | |-- Marx - Capital Vol 1.pdf | |-- Marx - Capital Vol 2.pdf | |-- Marx - Capital Vol 3.pdf | |-- Marx - Communist Manifesto.pdf | |-- Marx - Grundrisse.pdf | |-- Marx - The Civil War in France.pdf | |-- Marx - The Class Struggle in France.pdf | |-- Marx - Wage Labour and Capital.pdf | |-- Musto - Karl Marx's Grundrisse - Foundations (Routledge, 2008).pdf | |-- Newman - Socialism - Very Short Introduction (Oxford, 2005).pdf | |-- Resnick - New Departures in Marxian Theory (Routledge, 2006).pdf | |-- Rosa Luxemburg - The Accumulation of Capital (Routledge, 1913,2003).pdf | |-- Singer - Marx - Very Short Introduction (Oxford, 1980).pdf | |-- Thomas - Marxism and Scientific Socialism (Routledge, 2008).pdf | |-- Uchida - Marx for the 21st Century (Routledge, 2006).pdf | |-- Walker - Historical Dictionary of Marxism (Scarecrow, 2007).pdf | `-- Wolfenstein - Psychoanalytic-Marxism Groundwork [dp,bw] (Free Association, 1993).pdf |-- Kelly - Political Philosophy of Michel Foucault (Taylor, 2009).pdf |-- Kinna - Anarchism - A Beginner's Guide (Oneworld, 2005).pdf |-- Knight - The Kennedy Assassination (Edinburgh, 2007).pdf |-- Konner - The Atheist's Bible.pdf |-- Laing - The Divided Self - An Existential Study in Sanity and Madness.pdf |-- Le Bon - The Crowd - A Study of the Popular Mind (1895,2002).pdf |-- Lippmann - Public Opinion (1921).txt |-- Lynd - Wobblies and Zapatistas - Conversations on Anarchism, Marxism and Radical History (PM, 2008).pdf |-- Macrakis - Seduced by Secrets - Inside the Stasi's Spy-Tech World (Cambridge, 2008).pdf |-- Maga - The 1960s - Eyewitness History (Infobase, 2003).pdf |-- Marcuse Herbert | |-- Feenberg - Essential Marcuse - Introduction - Critical Theory of Herbert Marcuse (2007).pdf | |-- Marcuse - Aggressiveness in Advanced Industrial Society (1967).html | |-- Marcuse - An Essay on Liberation (Beacon, 1969).pdf | |-- Marcuse - Collected Papers I - Technology, War and Fascism (Routledge, 1998).pdf | |-- Marcuse - Collected Papers II - Towards a Critical Theory of Society (Routledge, 2001).pdf | |-- Marcuse - Heideggerian Marxism (Nebraska, 2005).pdf | |-- Marcuse - Liberation from the Affluent Society (1967, Lecture in London).html | |-- Marcuse - One-Dimensional Man [html, ocr errors] (1964).pdf | |-- Marcuse - Repressive Tolerance (1965).html | |-- Marcuse - Soviet Marxism - A Critical Analysis (Columbia, 1958).pdf | `-- Marcuse - The End of Utopia (1967).html |-- Marshall - Demanding the Impossible - History of Anarchism (Harper, 2008).pdf |-- Maschke - The Lie Behind the Lie Detector 4e (antipolygraph.org, 2005).pdf |-- McFadden - On the Federal Reserve (Congressional Record, 1934).html |-- McKibben - Deep Economy - Economics As If the World Mattered (Oneworld, 2007).pdf |-- Mikhail Bakunin | |-- Aldred, Guy A. - Michel Bakunin, Communist.pdf | |-- Bakunin - God and the State.pdf | |-- Bakunin - Integral Education 2.pdf | |-- Bakunin - Integral Education.pdf | |-- Bakunin - Marxism Freedom and the State.pdf | |-- Bakunin - Power Corrupts The Best.pdf | |-- Bakunin - Revolutionary Catechism.pdf | |-- Bakunin - Rousseau's Theory of the State.pdf | |-- Bakunin - Selected writings.pdf | |-- Bakunin - Stateless Socialism = Anarchism.pdf | |-- Bakunin - THE CAPITALIST SYSTEM.pdf | |-- Bakunin - The Commune, the Church & The State.pdf | |-- Bakunin - The Immorality of the State.pdf | |-- Bakunin - The Organization of the International.pdf | |-- Bakunin - The Paris Commune and the Idea of the State.pdf | |-- Bakunin - The Policy of The International.pdf | |-- Bakunin - Where i stand.pdf | |-- J. M. W. - Mikhail Bakunin (The Torch of Anarchy).pdf | |-- bakunin.gif | |-- bakuninhunt.jpg | |-- bakuninper.jpg | `-- bakuninphoto.jpg |-- Miller - From Difficult to Disturbed - Understanding and Managing Dysfunctional Employees (AMACOM, 2008).pdf |-- Miller - Political Philosophy - A Very Short Introduction.pdf |-- Minogue - Politics - A Very Short Introduction.pdf |-- Mises - Theory of Money and Credit (1912).pdf |-- Newman - Socialism - A Very Short Introduction.pdf |-- Orwell George | |-- 1933 - Down And Out In Paris And London | | `-- Down And Out In Paris And London.txt | |-- 1934 - Burmese Days | | `-- Burmese Days.txt | |-- 1935 - A Clergyman's Daughter | | `-- A Clergyman's Daughter.txt | |-- 1936 - Keep the Apidistra Flying | | `-- Keep The Apidistra Flying.txt | |-- 1937 - The Road To Wigan Pier | | `-- The Road To Wigan Pier.txt | |-- 1938 - Homage To Catalonia | | `-- Homage To Catalonia.txt | |-- 1939 - Coming Up For Air | | `-- Coming Up For Air.txt | |-- 1945 - Animal Farm | | `-- Animal Farm.txt | |-- 1949 - Nineteen Eighty-Four | | `-- 1984.txt | |-- George Orwell - 1984.pdf | `-- Miscellaneous Essays | |-- 1931 - A Hanging.txt | |-- 1931 - The Spike.txt | |-- 1936 - Bookshop Memories.txt | |-- 1936 - Shooting An Elephant.txt | |-- 1937 - Spilling The Spanish Beans.txt | |-- 1939 - Marrakech.txt | |-- 1940 - Boys' Weeklies And Frank Richards's Reply.txt | |-- 1940 - Charles Dickens.txt | |-- 1940 - Charles Reade.txt | |-- 1940 - Inside The Whale.txt | |-- 1941 - The Art Of Donald McGill.txt | |-- 1941 - The Lion And The Unicorn - Socialism And The English Genius.txt | |-- 1941 - Wells, Hitler, And The World State.txt | |-- 1942 - Looking Back On The Spanish War.txt | |-- 1942 - Rudyard Kipling.txt | |-- 1943 - Mark Twain - The Licensed Jester.txt | |-- 1943 - Poetry And The Microphone.txt | |-- 1943 - W B Yeats.txt | |-- 1944 - Arthur Koestler.txt | |-- 1944 - Benefit Of Clergy - Some Notes On Salvador Dali.txt | |-- 1944 - Raffles And Miss Blandish.txt | |-- 1945 - Antisemitism In Britain.txt | |-- 1945 - Freedom Of The Park.txt | |-- 1945 - Future Of A Ruined Germany.txt | |-- 1945 - Good Bad Books.txt | |-- 1945 - In Defence Of P. G. Wodehouse.txt | |-- 1945 - Nonsense Poetry.txt | |-- 1945 - Notes On Nationalism.txt | |-- 1945 - Revenge Is Sour.txt | |-- 1945 - The Sporting Spirit.txt | |-- 1945 - You And The Atomic Bomb.txt | |-- 1946 - A Good Word For The Vicar Of Bray.txt | |-- 1946 - A Nice Cup Of Tea.txt | |-- 1946 - Books Vs. Cigarettes.txt | |-- 1946 - Confessions Of A Book Reviewer.txt | |-- 1946 - Decline Of The English Murder.txt | |-- 1946 - How The Poor Die.txt | |-- 1946 - James Burnham And The Managerial Revolution (Second Thoughts On Burnham).txt | |-- 1946 - Pleasure Spots.txt | |-- 1946 - Politics Vs. Literature - An Examination Of Gulliver's Travels.txt | |-- 1946 - Politics and the English Language.txt | |-- 1946 - Riding Down From Bangor.txt | |-- 1946 - Some Thoughts On The Common Toad.txt | |-- 1946 - The Prevention Of Literature.txt | |-- 1946 - Why I Write.txt | |-- 1947 - Lear, Tolstoy, And The Fool.txt | |-- 1948 - Writers And Leviathan.txt | |-- 1949 - Reflections On Gandhi.txt | `-- 1952 - Such, Such Were The Joys.txt |-- Passmore - Fascism - A Very Short Introduction.pdf |-- Perkins - Confessions of an Economic Hitman (BK, 2004).pdf |-- Perlman - Manufacturing Discontent - The Trap of Individualism in Corporate Society (Pluto, 2005).pdf |-- Peter Kropotkin - The Anarchist Prince | |-- Anarchism - 1910 - from The Encyclopaedia Britannica, 1910.pdf | |-- Peter Kropotkin - 1880 - The Commune of Paris.pdf | |-- Peter Kropotkin - 1880 - The Spirit of Revolt.pdf | |-- Peter Kropotkin - 1890 - Brain Work and Manual Work.pdf | |-- Peter Kropotkin - 1892 - Revolutionary Studies.pdf | |-- Peter Kropotkin - 1898 - Anarchism its philosophy and ideal.pdf | |-- Peter Kropotkin - 1901 - Communism and Anarchy.pdf | |-- Peter Kropotkin - 1913 - The Coming War.pdf | |-- Peter Kropotkin - 1920 - The Wage System.pdf | |-- Peter Kropotkin - Anarchist Morality.pdf | |-- Peter Kropotkin - On Order.pdf | |-- Peter Kropotkin - The Place of Anarchism in Socialistic Evolution.pdf | |-- anarchism.jpg | |-- kropotkin3.gif | |-- memfront.jpg | `-- szabl032.jpg |-- Pierre-Joseph Proudhon | |-- 180px-Hw-proudhon.jpg | |-- D.W. Brogan - 1934 - Proudhon.pdf | |-- Proudhon - 1840 - What is Property.pdf | |-- Proudhon - 1845 - Interest and Principal (letters).pdf | |-- Proudhon - 1846 - The Philosophy of Misery.pdf | |-- anarchism.jpg | |-- proudhon.gif | `-- proudhon3.gif |-- Piper - Final Judgment - The Missing Link in the JFK Assassination Conspiracy 6e [Kennedy] (AFP, 2004).pdf |-- Prouty - Secret Team - The CIA and Its Allies in Control of the United States and the World (1973).pdf |-- RAND - Deterrence - From Cold War to Long War (2008).pdf |-- Rapport - 1848 - Year of Revolution (Basic Books, 2008).pdf |-- Reed - The Art of Protest (Minnesota, 2005).pdf |-- Roncaglia - The Wealth of Ideas - A History of Economic Thought (Cambridge, 2005).pdf |-- Rothbard Murray | |-- America's Great Depression - Rothbard.pdf | |-- For a New Liberty - Rothbard.pdf | |-- History Of Money And Banking In The United States - Rothbard.pdf | |-- Making Economic Sense - Rothbard.pdf | |-- Man Economy and State - Rothbard.pdf | |-- Power And Market Government And The Economy - Rothbard.pdf | |-- Rothbard - The Case Against the Federal Reserve.pdf | |-- The Anatomy of the State - Rothbard.pdf | |-- The Ethics of Liberty - Rothbard.pdf | |-- The Mystery Of Banking - Rothbard.pdf | `-- What has Government done to our Money - Rothbard.pdf |-- Ruppert - Crossing the Rubicon - The Decline of the American Empire (New Society, 2004).pdf |-- Sherratt - Adorno's Positive Dialectic (Cambridge, 2002).pdf |-- Smail - Power, Responsibility and Freedom - Internet Publication (2005).pdf |-- Smith - Red Barcelona - Social Protest and Labour Mobilization in the 20th Century (Routledge, 2002).pdf |-- Stackelberg - Routledge Companion to Nazi Germany (2007).pdf |-- Stone - Prime Green - Remembering the Sixties (2007).pdf |-- Tarpley - 911 Synthetic Terrorism Made in USA (2004).pdf |-- Tarpley - Barack H. Obama - The Unauthorized Biography (Progressive, 2008).pdf |-- Tarpley - George Bush - The Unauthorized Biography.pdf |-- Tarpley - Surviving the Cataclysm - Your Guide Through the Greatest Financial Crisis in Human History (1999).pdf |-- Tawney - The Acquisitive Society (1921).pdf |-- Thrift - Knowing Capitalism (Sage, 2005).pdf |-- Tietje - Is Lookism Unjust (Journal of Libertarian Studies vol. 19-2, 2005).pdf |-- US Government - 911 Commission Report.pdf |-- Vail - A Theory of Power (iUniverse, 2004).pdf |-- Vance Packard - The Hidden Persuaders (IG, 1957,2007).pdf |-- Veblen - The Theory of the Leisure Class (Oxford, 1899,2007).pdf |-- Voegelin - From Enlightenment to Revolution (Duke, 1975).pdf |-- Ward - Anarchism - A Very Short Introduction.pdf |-- Wilkinson - International Relations - A Very Short Introduction.pdf |-- Zerzan John | |-- Zerzan - Against Civilization - Readings and Reflections (1999).pdf | |-- Zerzan - Agriculture.html | |-- Zerzan - Future Primitive.html | |-- Zerzan - Globalization and Its Apologists.html | |-- Zerzan - No Way Out (2003).html | |-- Zerzan - Number - Its Origin and Evolution.html | |-- Zerzan - Patriarchy, Civilization, and the Origins of Gender.html | |-- Zerzan - Running on Emptiness - The Failure of Symbolic Thought.html | |-- Zerzan - Seize the Day (2006).html | |-- Zerzan - The Mass Psychology of Misery.html | |-- Zerzan - The Modern Anti-World.html | |-- Zerzan - The Origins of War.html | |-- Zerzan - Time and Its Discontents.html | |-- Zerzan - Too Marvelous for Words.html | |-- Zerzan - Twilight of the Machines.html | |-- Zerzan - We Have To Dismantle All This.html | `-- Zerzan - Why Primitivism.html `-- Zinn - People's History of the United States (Harper, 2003).pdf
Seeders: 36
Leeches: 13

Network (Lumet, 1976)[+Extras]-aNaRCHo

Category: Misc
Description:
THIS IS MY PERSONAL FAVOURITE FILM, AND IN MY OPINION THE BEST FILM EVER MADE! SIDNEY LUMET'S MASTERPIECE...FROM THE 2-DISC SPECIAL EDITION... Network (Lumet, 1976)[+Extras]-aNaRCHo (FILM IS IN ENGLISH, ENGLISH AND FRENCH SUBTITLES INCLUDED) Essay by Greg Ng from Senses of Cinema The 1970s in Hollywood were a fertile time. The emergence of the director, as a legitimate artist in his or her own right, shifted focus from the studios, which by the '60s had grown formulaic and unadventurous in their output, to a new generation of writers and directors, whose concerns and experience were markedly different from the conservative voice of the movie industry at that point. Due in part to falling profits and the rise of television, a vacuum arose in the industry that opened the door for fresh ideas. Hollywood was redirected and, as a result, American cinema entered a new age – an age when box-office success did not necessarily preclude sophisticated content in a movie, an age when political discourse was not relegated to non-existence or tokenism, or a niche-market. The period between 1969 and the beginning of the 1980s saw American cinema, inspired as it was by international filmmaking (such as the French New Wave), offering critical, ambiguous and highly artful movies. At its most ambitious, the New Hollywood was a movement intended to cut film free of its evil twin, commerce, by enabling it to fly high through the thin air of art. The filmmakers of the '70s hoped to overthrow the studio system, or at least render it irrelevant, by democratising filmmaking, putting it in the hands of anyone with talent and determination. However, as the decade passed, the promise of real change receded; the status quo prevailed. As Peter Biskind puts it, in his book Easy Riders and Raging Bulls: How the Sex 'N' Drugs 'N' Rock 'N' Roll Generation Saved Hollywood, although the decade of the 70s contains shining monuments to its great directors, the cultural revolution of that decade, like the political revolution of the 60s, ultimately failed. Robin Wood, in Hollywood: from Vietnam to Reagan, argues that the Vietnam War, among other things, focussed Western society's dissenting voices, simultaneously discrediting 'the system' and emboldening the dissenters. However, like Biskind, Wood acknowledges “this generalized crisis in ideological confidence never issued in revolution. No coherent social/economic program emerged.” Commercial imperatives once more came to play their part in shaping the output of the industry, as previously fêted directors suffered box office losses and investment money turned to more secure propositions. Thus, a central tenet of political economy – i.e., the inherent censorship of the mass market – prevailed. Ironically, one of the films that stands as a testament to '70s Hollywood's freedom and ambition, Sidney Lumet's Network (1976), depicts precisely this phenomenon. Network is an example of a hugely successful and critically acclaimed feature film that offers a critique of television, ideology, radical chic and the consequences of American-led post-war capitalism, whilst being funny – no mean feat, and something only barely achieved in the current day by the likes of Michael Moore, et al. Lumet's direction and Paddy Chayefsky's script lambaste the ills of the modern world (couched within the fast-paced soliloquies delivered by the stellar cast of Peter Finch, Faye Dunaway, Robert Duvall and William Holden) and are oft times prescient, predicting the rise of 'reality television', and the subsequent decline of both production and social values. One of the central themes of Network – the decay of society and of love, concurrent with a plunge in standards and morality of the audience, which represents the world (in keeping with the mindset of both the film and its characters) – proves salutary in explaining what happened to Hollywood after the '70s. Just as the collapse of the old studio system in the '60s was precipitated by a change in demography and values, so too has a drift toward social conservatism and the continuing project of marketising everything affected our age. When Howard Beale (Peter Finch), the ageing news anchor for Union Broadcasting System, is fired due to poor ratings, he announces to his friend and network executive Max Schumacher (William Holden) that he intends to “blow my brains out, right on the air, right in the middle of the 7 o'clock news”. Schumacher replies, “You'll get a hell of a rating. I'll guarantee you that. 50 share, easy.” He facetiously begins to run with the idea: “We could make a series out of it. 'Suicide of the Week.' Oh, hell, why limit ourselves: 'Execution of the week.'” Beale joins in, “Terrorist of the Week”, and Max's eyes get distant; he temporarily becomes the visionary commercial television producer: I love it. Suicides. Assassinations. Mad bombers. Mafia hit men. Automobile smash ups. The death hour. Great Sunday night show for the whole family to see. It'd knock fucking Disney right off the air. The joke, these days, has poignancy. Chayefsky's blistering script seems aimed fairly and squarely at commercial television, and its producers. Network is presented as a voracious predator that consumes everything in sight for the sake of audience share. Nothing is sacred – not least of all love, as is demonstrated amply by the soulless programming executive, Diana Christensen (Faye Dunaway). “The only reality she knows comes at her over the television.” Network portrays a dark vision of an industry that has largely come to be. The dumbing-down of the news, from informative to entertaining (“television is showbiz”, says Christensen to Schumacher) is prescient of the rise, in the late 20th century and early 21st, of infotainment. The UBS news is transformed into a near-variety show, with a soothsayer, a psychic detective and the star, the “Mad prophet of the airwaves”, Howard Beale. The disturbing thing about this, for Chayefsky, runs along the lines of neo-Marxist criticism of the day. To quote Stuart Hall: the cultural industries do have the power constantly to rework and reshape what they represent; and, by repetition and selection, impose and implant such definitions of ourselves as fit more easily the descriptions of the dominant or preferred culture. That is what the concentration of cultural power – the means of culture-making in the heads of the few – actually means. Television's ruthlessness and its lack of discernment in its search for ratings, as joked about by Schumacher and his 'death hour' idea, has fulfilled his prophecy. 'Reality television' abounds, with its low production costs and supposed interactivity – its invitation for audiences to spectate at someone's demise, and even play a part in it. Network satirises 'the revolutionary underground', and the script dextrously portrays the ease with which the likes of Christensen incorporate such movements into a commercial framework, in order to make them a marketable commodity. Says Diana, to her staff, as she pitches the idea of what we would now call a reality television show, Look, you've got a bunch of hob-goblin radicals, calling themselves the Ecumenical Liberation Army who go around taking home movies of themselves robbing banks! Maybe they'll take movies of themselves kidnapping heiresses, um, hijacking 747s, bombing bridges, assassinating ambassadors! She goes on to tell them, “I want angry shows. I don't want conventional programming on this network. I want counter-culture. I want anti-establishment.” Christensen, television incarnate, has, as such, the mind of the market. She slots, programmes and categorises everything, reducing totalities to glib, trite, preclusive stereotypes (or soundbites). At her meeting in Los Angeles, with the aforementioned hob-goblin radicals, she introduces herself: “Hi. I'm Diana Christensen – a racist lackey of the imperialist ruling circles.” “And I'm Lorraine Hobbs – a bad-ass Commie nigger”, comes the reply. Her idea is staggering and speaks of the sheer hubris of unfettered, market capitalism – as immanent in television itself. Without a moral concern in her body, Christensen pitches: “Each week, we open, with an authentic act of political terrorism.” The concept, in 1976, may have been preposterous. But in 2005 it is quite literally inconceivable. There's a war going on – let's not forget – a war on terrorism. And in wartime, as they say, the first casualty is the truth. The adage here is admittedly stretched, but the degree of self-censorship that began, and has prevailed, across the world's media since 2001 is evident. Hollywood seems nowhere near touching subjects like this, much less laughing at it. It's not just the subject matter; it's the way it is delivered. Lorraine Hobbs answers back to Diana's pitch with uncertainty: The Ecumenical Liberation Army is an ultra-left sect, creating political confusion with wildcat violence and pseudo-insurrectionary acts, which the Communist Party does not endorse. The American people are not yet ready for open revolt. We would not want to produce a television show that celebrates historically deviational terrorism. Chayefsky's script is simply much more ambitious, and verbose, than anything Hollywood offers up for contention these days. Network's assumption that audiences could respond positively to what is essentially a dense, wordy screenplay, set amongst current events and asking uncomfortable questions, was vindicated. It won three Academy Awards, including Best Screenplay. Hollywood's 'best and brightest' have rarely offered much in the way of criticism since the terrorist attacks of September 2001. One cannot help but think of Christensen's pitch here; might we assume that '911' would have gotten the Network nod, as entertainment? In fact, the years that followed saw Hollywood directors, such as Ridley Scott, supplicate themselves to the Pentagon message, with films that glorified American actions around the world and supported the US government's view of history. With the release of 1969's Easy Rider (Dennis Hopper), American cinema came of age. The late 60s had seen a crisis in the studio-dominated film industry: attendances were down and the old men who ran [the studios] were increasingly out of touch with the vast baby boom audience that was coming of age in the '60s, an audience that was rapidly becoming radicalised and disaffected from its elders. The influence of the French New Wave, among others, provided inspiration for aspiring auteurs like Martin Scorsese, Robert Altman, Sidney Lumet and Terrence Malick, to name but a few. The late 1960s saw a break from the old, studio-dominated conventions of film making, and for the first time placed the director in lights, over and above the studio, and producer. By the time of the late 70s, after the critical (and sometimes commercial) successes of films like Taxi Driver (Scorsese, 1976), et al, the 'voice' of the new directors was sounding more confidently. Network is nothing if not a collection of polemics. As New Yorker film critic Pauline Kael said, “Chayefsky isn't writing a farce: he's telling us a thing or two.” Howard Beale's “latter day prophet, denouncing the hypocrisies of our time” takes to the air with paternalistic sermons: Because less than three percent of you read books. Because less than fifteen percent of you read newspapers. Because the only truth you know is what you get from over this tube. Right now there is a whole, an entire generation that never knew anything that didn't come out of this tube. Kael savages Chayefsky's preachiness here and decries the tendency of the time towards “vindictive, moralizing condescension”, citing “Beale's denunciations of the illiterate public (Chayefsky apparently thinks that not reading is proof of soullessness).” She continues to assert that television has not rendered people soulless, just as cinema did not, or the theatre. The film treats us to the high farce of the nominally 'revolutionary' Ecumenical Liberation Army in contractual negotiations with their lawyers and UBS's – an extremely comical (if dark) satire of the fickle nature of the expedient marriage of the political and the commercial. When Beale uses his nightly tirade to denounce the fact that “the Arabs control 60 billion dollars of this country”, and rants an extensive list of Arab interests in US capital, including “com[ing] back at us with our own dollars to buy General Motors, IBM”, et al, he blows the deal for Frank Hackett, the corporate head of UBS (played perfectly by Robert Duvall), the show and his own career. Michael Moore's Palme d'Or winning 'documentary', Fahrenheit 911, essentially spoke to the same phenomenon – that is, the coincidence of US and Saudi corporate interests, and its enmeshment with foreign policy, and the challenge to the notion of national sovereignty this presents . However, Moore's treatment is characteristically shallow, and not given any sense of historical context. Without an acknowledgement of the history of the US-Saudi relationship or of the role America has played in promoting the very system that allows for the situation he bemoans, Moore himself turns into the populist evangelical that Peter Finch portrays with finesse in Network. Network's ultimate concern – the negative impact of corporate culture and the mass market on society, and the processes by which it affects this – is essentially a mirror for what happened in Hollywood after the 1970s. By the end of what was a dazzling period of innovation and artfulness – delivering films such as Easy Rider, M*A*S*H* (Altman, 1970), Badlands (Malick, 1973), The Conversation (Coppola, 1974), Mean Streets (Scorsese, 1973) and Network, Hollywood succumbed to commercial pressures – eschewing unhappy endings and highly political content and commentary in its films for 'the blockbuster' – usually dated to the release of Steven Spielberg's Jaws, in 1980. Film narratives switched back to happy endings, resolution and dominant societal paradigms reasserted themselves. One only need look at the young George Lucas' spectacular rise to fame with Star Wars (1977), an overly simplified fairy tale of 'good vs. evil'. (11) Gone was the subtlety and sophistication of Taxi Driver or Badlands, with their confused and often violent protagonists, and their near-nihilistic challenges to bourgeois morality, and back were the classical 'heroes' of the big screen, whose essential goodness was never in doubt and who always triumphed over the 'bad guys'. As Biskind suggests, the flowering of American cinema, only too brief, had ended – and Spielberg had 'won'. Because the fact of the matter is that although individual revolutionaries succeeded, the revolution failed. [...] As Coppola later recognized, the market selected and shaped these directors, snuffing out the careers of those whose films were not commercial, and boosting and molding the careers of those that were. It seems only right to close with one of Chayefsky's more incisive soliloquies, delivered by the owner of UBS, Arthur Jensen (Ned Beatty): You have meddled with the primal forces of nature, Mr. Beale, and I won't have it. Is that clear? You think you merely stopped a business deal. That is not the case. The Arabs have taken millions of dollars out of this country, and now they must put it back. It is ebb and flow, tidal gravity. It is ecological balance. You are an old man, who thinks in terms of nations, and peoples. There are no nations, there are no peoples, there are no Russians, there are no Arabs, there are no Third Worlds; there is no West. There is only one holistic system of systems. One vast and interwoven, interacting, multi-variant, multi-national dominion of dollars. Petro-dollars, electro-dollars, multi-dollars, Reichmarks, Rubles, Pounds and Sheckles. It is the international system of currency which determines the totality of life on this planet. That is the natural order of things today. That is the atomic, and sub-atomic, and galactic structure of things today. And you have meddled with the primal forces of nature. And you will atone. You get up on your little 21 inch screen, and howl about “America”, and “democracy.” There is no America, there is no democracy. There is only IBM and ITT and AT&T. And Dupont, Dow, Union Carbide, and Exxon. Those are the nations of the world today. We no longer live in a world of nations and ideologies, Mr. Beale. The world is a college of corporations, inexorably determined by the immutable by-laws of business. The world is a business, Mr. Beale. EXTRAS INCLUDE: - Director's Commentary as second audio track - The Making of Network (L. Bouzereau, 2006) 1hr 25min documentary - Vintage Paddy Chayefsky Interview On Dinah! - Private Screenings With Sidney Lumet - TCM Host Robert Osborne Interviews Director Lumet - Original Theatrical Trailer PLEASE SEED AND ENJOY!!!
Seeders: 8
Leeches: 1

Audio Book: Karl Marx: Capital, Vol I,

Category: eBooks, Magazines, Audio Books
Description:
Karl Marx's Das Kapital: Kritik der politischen Ökonomie provides a critical analysis of capitalism and capitalist production (Online transcription and .pdf provided by [57]Marxists.org) This .rar Includes all three text volumes and the LibriVox Audiobook of Capital: Volume I available at [58]LibriVox.org AN E.O.I. TORRENT
Seeders: 0
Leeches: 0

The Age of Uncertainty 1977 full 15 parts

Category: Documentary
Description:
Some parts from the beginning were here earlier. This is repacked with x264 and AAC, but as the original was VHS almost no quality is lost. "The ideas of economists and social philosophers shape actions and events even when we are unaware of their sources. They have a decisive influence on the great rush of revolution and change through which the world has passed in the last two hundred years. Professor Galbraith traces these ideas and their consequences from Adam Smith, through Marx and Lenin, to Keynes and to the thinking that gave shape to the concepts of the Cold War, the corporation and, now, the conflicts and concerns of the Third World." http://www.tvfactual.co.uk/age_of_uncertainty.htm
Seeders: 5
Leeches: 3

Audio Book: A History of Western Philosophy - Bertand Russell

Category: eBooks, Magazines, Audio Books
Description:
Publisher Comments: Since its first publication in 1945, Lord Russell's A History of Western Philosophy has been universally acclaimed as the outstanding one-volume work on the subject — unparalleled in its comprehensiveness, its clarity, its erudition, its grace and wit. In seventy-six chapters he traces philosophy from the rise of Greek civilization to the emergence of logical analysis in the twentieth century. Among the philosophers considered are: Pythagoras, Heraclitus, Parmenides, Empedocles, Anaxagoras, the Atomists, Protagoras, Socrates, Plato, Aristotle, the Cynics, the Sceptics, the Epicureans, the Stoics, Plotinus, Ambrose, Jerome, Augustine, Benedict, Gregory the Great, John the Scot, Aquinas, Duns Scotus, William of Occam, Machiavelli, Erasmus, More, Bacon, Hobbes, Descartes, Spinoza, Leibniz, Locke, Berkeley, Hume, Rousseau, Kant, Hegel, Schopenhauer, Nietzsche, the Utilitarians, Marx, Bergson, James, Dewey, and lastly the philosophers with whom Lord Russell himself is most closely associated — Cantor, Frege, and Whitehead, co-author with Russell of the monumental Principia Mathematica.
Seeders: 102
Leeches: 101

Audiobook - Lenin : Two Tactics of Social-Democracy in the Democratic Revolution

Category: eBooks, Magazines, Audio Books
Description:
Two Tactics of Social-Democracy in the Democratic Revolution by Vladimir Ilyich Lenin (1870-1924) Translated by Abraham Fineberg and Julius Katzer. Edited by George Hanna. In the heat of the failed 1905 revolution in Russia, Lenin here contrasts the precision of the Bolshevik political program and tactics with various inconsistent and servile factions within the Russian Social-Democratic Labor Party. (Summary by Christian Pecaut)
Seeders: 72
Leeches: 53