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    <description>Results for search term 'bowie on OneBigTorrent.org' (files feed)</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=6035">
    <title>Sacco &amp; Vanzetti - napisy pl</title>
    <link>http://onebigtorrent.org/details.php?id=6035</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Sacco i Vanzetti to film z 1971 roku w reżyserii Giuliano Montaldo, Gian Maria Volontè i Riccardo Cucciolla, przedstawiający wydarzenia mające miejsce podczas jednego najgłośniejszych i najbardziej skandalicznych procesów w historii USA. Był wystawiany na 24. Festiwalu Filmowym w Cannes, gdzie Richard Cucciolla (grający Sacco) zdobył nagrodę dla najlepszego aktora. Ścieżka dźwiękowa z tego filmu należy do najlepszych w historii kina, autorstwa samego Enio Morione przy śpiewie Joan Baez. Jednak graniczy z cudem zobaczenie tego filmu w mainstreamowych mediach. Film ten jest bowiem opowieścią o skazaniu na śmierć, w swingowanym procesie, dwóch włoskich anarchistów.&#13;
Tytułowi Nicola Sacco i Bartolomeo Vanzetti przybyli do USA w 1908, poznali się w 1916. Brali czynny udział w ruchu robotniczym i anarchistycznym, walcząc o lepsze płace i humanizację stosunków pracy. W 1920 w trakcie organizacji kolportażu ulotek anarchistycznych zostali zatrzymani pod zarzutem działalności godzącej w dobro publiczne. Dodatkowo oskarżono ich o napad rabunkowy i dwa morderstwa (Fredericka Parmentera i Alessandra Berardellego), które miały miejsce 15 kwietnia 1920 r. w South Baintree, Massachusetts. W trakcie napadu zrabowano 15766 dolarów i 51 centów, przeznaczonych na wypłaty dla robotników.&#13;
Mimo posiadania przez nich alibi i wątpliwych dowodów, w atmosferze powszechnej nagonki (prowadzący proces sędzia Webster Thayer nazywał Sacco i Vanzettiego anarchistycznymi bękartami) skazano ich 14 lipca 1921 na śmierć na krześle elektrycznym.&#13;
W filmie doskonale uchwycono klimat tzw. „Red Scare”, (czyli nagonki na komunistów, socjalistów, związkowców i anarchistów a także pacyfistom) i rasizm, którym przesiąknięte były organa „sprawiedliwości”. Organizowane są deportacje, prowokacje, inwigilacja i nagonka medialna na rosnącą w siłę lewicę. Po tych wydarzeniach ruch anarchistyczny w USA już nigdy nie był tak silny... Okres ten nazwał biskup Williams z Nowego Jurku „najhaniebniejszą kartą w dziejach. Ameryki",- a Ralston, adwokat, oświadczył przed Komisją Parlamentarną: „Stoczyliśmy się do poziomu ochrany rosyjskiej za czasów carskich. Niepodobna upaść jeszcze niżej".&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;0&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;1</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=4905">
    <title>The Universal Clock (2001) - Geoff Bowie</title>
    <link>http://onebigtorrent.org/details.php?id=4905</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; A documentary of sorts about Peter Watkins.&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;0&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;1</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=4032">
    <title>La Commune (Paris, 1871) by Peter Watkins [FR with ENG hardsubs] Includes the documentary The Universal Clock</title>
    <link>http://onebigtorrent.org/details.php?id=4032</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
Peter Watkins' La Commune (Paris, 1871) French dialog with hardsub English translation&#13;
&#13;
La Commune Part 1&#13;
LA commune Part 2&#13;
and&#13;
The Universal Clock&amp;nbsp; in English with hardsub French translation.&#13;
&#13;
The torrent is given in compact form for easy download.&#13;
&#13;
Recommended viewing:&#13;
&#13;
&amp;nbsp; The Universal Clock Run time:&amp;nbsp; 1:16&#13;
&amp;nbsp; La Commune Part 1&amp;nbsp;&amp;nbsp; Run time:&amp;nbsp; 2:44:22&#13;
&amp;nbsp; La Commune Part 2&amp;nbsp;&amp;nbsp; Run time:&amp;nbsp; 3:01:29&#13;
&#13;
The Univeral Clock (notes below) is a documentary about the making of La Commune and it's significance.&amp;nbsp; For this reason it should be viewed first.&#13;
&#13;
In brief, La Commune is a collective re-enactment of the Paris Commune of 1871.&#13;
Over 200 hundred non and semi professional actors who performed the five hour re-enactment in 13 days.&amp;nbsp; Many details are given about this extraordinary achievement in The Universal Clock.&#13;
&#13;
&amp;quot;La Commune&amp;quot; is recorded in black and white and features contemporary media in the &#13;
form of 'State' and &amp;quot;Commune TV' broadcasts in which the reporters take on roles in the re-enactment.&#13;
&#13;
The significance of &amp;quot;La Commune&amp;quot; is its multi-layered narrative of the historical event and also how the production influenced the actors.&amp;nbsp; The actors did their own research.&amp;nbsp; The dialog, aside from historical readings, is improvised.&amp;nbsp; And the actors tell of how they have learned their own history as a result of the experience.&#13;
&#13;
An important element in Watkins' work is refusal to use familiar television and Hollywood standard devices.&amp;nbsp; The film is longer by design to allow for various deliberations by the actors as the re-enactment progresses.&#13;
&#13;
The Universal Clock (2000)&#13;
by&amp;nbsp; Geoff Bowie&#13;
National Film Board of Canada &#13;
&#13;
Runtime: 1:16:27 621mb&#13;
&#13;
&amp;quot;The Universal Clock&amp;quot; is a documentary which accompanies the boxed dvd set of &#13;
Peter Watkins' &amp;quot;La Commune (Paris, 1871).&amp;quot;&amp;nbsp; The author of The Universal Clock (UC)&#13;
takes us through both the production process of La Commune and the commercial barriers to having Watkins' re-creation of the Paris Commune shown after it was created.&#13;
&#13;
The Universal Clock refers to the standardization of video content on the &#13;
47 minute model (with commercial and public service announcements taking up&#13;
the balance of the time.)&amp;nbsp; Watkins calls this the 'monoform' and is shown describing his concept.&#13;
&#13;
In documenting the process of making &amp;quot;La Commune&amp;quot; UC has interviews with members of the cast who were non-professionals participating in this group project.&amp;nbsp; These Parisians and immigrants talk about how being a part of the performance changed the way they view themselves and the media around them.&#13;
&#13;
More discussion of &amp;quot;La Commune&amp;quot; can be found here:&#13;
&#13;
http://en.wikipedia.org/wiki/La_Commune_(Paris,_1871)&#13;
&#13;
and especially in Peter Watkins' notes here:&#13;
&#13;
http://www.mnsi.net/~pwatkins/commune.htm&#13;
&#13;
Other works available about non-standard theater performance are&#13;
&#13;
Marat/Sade&#13;
Signals Through The Flames.&#13;
&#13;
These pieces show the relevance of performance experimentation from the past&#13;
and the present.&#13;
&#13;
Watkins has brought a new form of television making into being with &amp;quot;La Commune.&amp;quot;&#13;
But there is reference to the concept of modern media reporting on historic events&#13;
as far back as the 1940's.&amp;nbsp; &amp;quot;You Are There&amp;quot; used the technique first on broadcast radio on the CBS network.&amp;nbsp; The noted filmmaker John Frankenheimer brought &amp;quot;You Are There&amp;quot; to television and it ran for 4 years on the network.&amp;nbsp; Such directors as Sidney Lumet did episodes of &amp;quot;You Are There&amp;quot; before they began their formal film careers.&amp;nbsp; &amp;quot;You Are There&amp;quot; is available on dvd media.&#13;
&#13;
All these works are teaching tools for experimental theater and media production.&#13;
&#13;
Notes written September 29, 2008&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;0&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;0</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=3889">
    <title>The Universal Clock (2000) [NEW]</title>
    <link>http://onebigtorrent.org/details.php?id=3889</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; The Universal Clock (2000)&#13;
by&amp;nbsp; Geoff Bowie&#13;
National Film Board of Canada &#13;
&#13;
Runtime: 1:16:27&#13;
&#13;
621mb&#13;
&#13;
The torrent is given in compact size for easy download.&#13;
&#13;
&amp;quot;The Universal Clock&amp;quot; is a documentary which accompanies the boxed dvd set of &#13;
Peter Watkins' &amp;quot;La Commune (Paris, 1871).&amp;quot;&amp;nbsp; The author of The Universal Clock (UC)&#13;
takes us through both the production process of La Commune and the commercial &#13;
&#13;
barriers to having Watkins' recreation of the Paris Commune shown after it was &#13;
created.&#13;
&#13;
The Universal Clock refers to the standardization of video content on the &#13;
47 minute model (with commercial and public service announcements taking up&#13;
the balance of the time.)&amp;nbsp; Watkins calls this the 'monoform' and is shown describing &#13;
his concept of the monoform.&#13;
&#13;
In documenting the process of making &amp;quot;La Commune&amp;quot; UC has interviews with members of &#13;
the cast who were non-professionals participating in this group project.&amp;nbsp; These &#13;
Parisians and immigrants talk about how being a part of the performance changed the &#13;
way they view themselves and the media around them.&#13;
&#13;
More discussion of &amp;quot;La Commune&amp;quot; can be found here:&#13;
&#13;
http://en.wikipedia.org/wiki/La_Commune_(Paris,_1871)&#13;
&#13;
and especially in Peter Watkins' notes here:&#13;
&#13;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; http://www.mnsi.net/~pwatkins/commune.htm&#13;
&#13;
La Commune itself is available in the torrent community.&#13;
&#13;
Other works available about non-standard theater performance are&#13;
&#13;
Marat/Sade&#13;
Signals Through The Flames.&#13;
&#13;
These pieces show the relevance of performance experimentation from the past&#13;
and the present.&#13;
&#13;
Watkins has brought a new form of television making into being with &amp;quot;La Commune.&amp;quot;&#13;
But there is reference to the concept of modern media reporting on historic events&#13;
as far back as the 1940's.&amp;nbsp; &amp;quot;You Are There&amp;quot; used the technique first on broadcast &#13;
radio on the CBS network.&amp;nbsp; The noted filmmaker John Frankenheimer brought &amp;quot;You Are &#13;
There&amp;quot; to television and it ran for 4 years on the network.&amp;nbsp; Such directors as Sidney &#13;
Lumet did episodes of &amp;quot;You Are There&amp;quot; before they began their formal film careers.&#13;
&amp;quot;You Are There&amp;quot; is available on dvd media.&#13;
&#13;
All these works are teaching tools for experimental theater and media production.&#13;
&#13;
&#13;
&#13;
Notes written September 2, 2008&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;3&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;14</description>
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