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  <item rdf:about="http://onebigtorrent.org/details.php?id=7401">
    <title>pArAsite_motion_volume_01</title>
    <link>http://onebigtorrent.org/details.php?id=7401</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; pArAsite motion volume 01:&#13;
&#13;
* Heiligendamm demo against G8 - 11.08.06&#13;
* &amp;quot;Sink MediaSpree!&amp;quot; - 22.04.07 - Berlin&#13;
* K&amp;ouml;pi bleibt risikokapital! - 05.05.07 - Berlin&#13;
* Sarkozy aus Berlin K&amp;auml;rchern!! - 16.05.07 - Berlin&#13;
* &amp;quot;No Justice No Peace&amp;quot; - 22.09.07 - Berlin&#13;
* &amp;quot;No Justice No Peace&amp;quot; - subhumans version&#13;
* &amp;quot;Escada Campaign&amp;quot; - Oct. 2007 - Berlin&#13;
* &amp;quot;Escada Campaign&amp;quot; - Clown Army - Dec. 2007&#13;
* &amp;quot;Out Of Control&amp;quot; - 15.12.07 - Hamburg&#13;
* &amp;quot;Out Of Control&amp;quot; - doom version&#13;
&#13;
(eng. / 45 min. / vcd - mpg)&#13;
&#13;
All this videoclips can be watch on:&#13;
http://www.dailymotion.com/parasitemotion&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;0&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;5</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7400">
    <title>pArAsite_motion_volume_02</title>
    <link>http://onebigtorrent.org/details.php?id=7400</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; pArAsite motion volume 02:&#13;
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* 1st. of may - Berlin 2008&#13;
* O2-hall-opening-demo - berlin 10.09.08&#13;
* CASTOR transport - Nov.2008  (north germany)&#13;
* CASTOR transport - Tractors blockade + climbing action - 10 Nov. 2008 (north germany)&#13;
* &amp;quot;United we stay&amp;quot; demo for the autonomous freespaces.  - 14.03.2009 berlin&#13;
* Bikes demo against highway A100- 19.04.09- Berlin &#13;
* Squat Tempelhof - 20.06.2009 - Berlin&#13;
&#13;
 (eng. / 54 min. / vcd - mpg)&#13;
&#13;
All this videoclips can be watch on: &#13;
http://www.dailymotion.com/parasitemotion&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;0&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;5</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7395">
    <title>CBC Doc Zone-Up Against the Wall (2009).WS-PDTV.XviD.Ekolb</title>
    <link>http://onebigtorrent.org/details.php?id=7395</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Up Against the Wall &#13;
Thursday November 19, 2009 at 8 pm on CBC-TV &#13;
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Twenty years ago, the world watched, spellbound, as the Berlin Wall came down. In the hopeful euphoria that followed, it seemed as if walls would be a thing of the past. Coinciding with the arrival of economic globalization, it looked like people and goods would finally be able to move freely across borders worldwide. &#13;
&#13;
But then 9/11 happened and, as they say, &amp;quot;everything changed&amp;quot;. In the post-9/11 world, &amp;quot;national security&amp;quot; became the watchword, and it soon became clear that walls ? and sophisticated new, hi-tech versions at that - were back with a vengeance. In fact, they were proliferating all around the world, with over a dozen new walls going up since the Berlin Wall came down. &#13;
&#13;
Up Against the Wall, produced by Gail McIntyre, and written and directed by documentary filmmaker Eileen Thalenberg, looks at this growing phenomenon of new wall-building, focusing on three hot spots around the world, where extremely controversial walls have gone up. Thalenberg travels along the huge expanse (and expense!) of the 'Tortilla Wall' that the United States is constructing along its border with Mexico. She also explores both sides of the elaborate wall and fence system Israel has built between itself and the West Bank. &#13;
&#13;
And, finally, Thalenberg journeys to the autonomous Spanish cities of Ceuta and Melilla on the coast of Morocco. The walls surrounding those little-known European enclaves in Africa give us a glimpse into the new &amp;quot;Fortress Europe&amp;quot;. With those walls blocking entry into Europe, desperate Africans risk their lives crossing the Mediterranean Sea in flimsy boats provided by human traffickers. As Thalenberg reveals, they often wind up, by the thousands, in detention camps across Europe. Most are eventually sent home. &#13;
&#13;
The fall of the Berlin Wall was an act of freedom, symbolizing the triumph of democracy over totalitarianism. &amp;quot;The great irony,&amp;quot; says Thalenberg, &amp;quot;is that the three new walls we focus on in the film were all constructed by democracies. What we found repeatedly was that walls have a stated agenda and a hidden one. Walls are often built in the name of national security, but the real reason is to keep people out, though, of course, nobody much wants to say that.&amp;quot; &#13;
&#13;
In a traumatized post 9/11 world, a wall is an easy sell. It gives the impression that something is being done to protect people. In fact, walls are an expression of what is most primitive in us all ? the fear of &amp;quot;the other&amp;quot;. &#13;
&#13;
&amp;quot;In the short term a wall may address some of those problems,&amp;quot; says Thalenberg. &amp;quot;But we found that in the longer term, in each case, there were unexpected, sometimes alarming impacts. Very often the wall made things worse.&amp;quot; &#13;
&#13;
Up Against the Wall poses the questions: Do walls, in fact, work? What are the real costs both in financial and human terms? How do walls affect people living on both sides? The film also explores the themes of borders, sovereignty, migration and human rights. &#13;
&#13;
The experience of making the film turned out to be one of the most difficult of Thalenberg's career for personal reasons. &amp;quot;I started my own life in a refugee camp with my parents, and here I was filming in refugee and detention camps. At a camp in Sicily we met an Ethiopian father holding his little girl in his arms and as I stood looking at them I thought, 'That was me and my father all those years ago.'&amp;quot; &#13;
&#13;
Up Against the Wall is produced by Stormy Night Productions III and 6663036 Canada Inc. in association with the Canadian Broadcasting Corporation. &#13;
&#13;
Format : AVI &#13;
Length : 349 MiB for 44mn 6s 79ms &#13;
&#13;
Codec : XviD &#13;
Source : PDTV &#13;
Language : English CA &#13;
Subtitles : None &#13;
Genre : Documentary &#13;
&#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7380">
    <title>Provos, Loyalists and Brits</title>
    <link>http://onebigtorrent.org/details.php?id=7380</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
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A trilogy of Documentary Series on Northern Ireland Conflict - Provos, Loyalists and Brits. Although this BBC Documentary was made several years ago, in light of Israel&amp;rsquo;s illegal occupation of the Palestine / West Bank and the atrocities committed in Gaza in January, it shows that Peace can be reached, but only every group have equal rights. &amp;nbsp;&amp;nbsp;&amp;nbsp;&#13;
&amp;nbsp;&#13;
PROVOS: THE IRA AND SINN FEIN&#13;
&amp;nbsp;&#13;
BBC documentary series looking at the history of the IRA and Sinn Fein over the past 30 years.&#13;
&amp;nbsp;&#13;
Episodes:&#13;
* BORN AGAIN&amp;nbsp; (23/09/1997)&#13;
* SECOND FRONT&amp;nbsp; (30/09/1997)&#13;
* SECRET WAR&amp;nbsp; (07/10/1997)&#13;
* ENDGAME&amp;nbsp; (14/10/1997)&#13;
&amp;nbsp;&amp;nbsp; &#13;
PROVOS: THE IRA AND SINN FEIN: BORN AGAIN&#13;
Documentary looking at the changes and rise in the Provisional IRA in Northern Ireland from 1969 on. Considers the events of civil unrest in the late 1960s, the ideology and actions of the leaders of the IRA then, which underwent a significant change after the attacks by loyalists and B Specials on Catholics and Nationalists and their homes. Looks at the background of the deployment of British troops, and how they were first welcomed, but later viewed as the enemy. Includes interviews with many older IRA members who talk about their motivations and aims, and the escalation into shooting and bombings, especially after the events of Bloody Sunday.&#13;
&amp;nbsp;&#13;
PROVOS: THE IRA AND SINN FEIN: SECOND FRONT&#13;
Looks into what was discussed at secret meetings between the British authorities and Provisional IRA during the 1970s, and how Britian may have countenanced withdrawal from Northern Ireland. Examines the emergence of Sinn Fein as a political force and the bombing campaigns both in the Province and the British mainland. Also examines the prison protests in the Maze prison, and the hunger strikes, and the effects of the deaths of Bobby Sands and other hunger strikers.&#13;
&amp;nbsp;&#13;
PROVOS: THE IRA AND SINN FEIN: SECRET WAR&#13;
Concentrates on the 1980s and the relaunch of a campaign by the IRA after the death of the hunger strikers. Looks at the increase in heavy weaponry purchased and the funding and supply lines and the IRA\'s keeness to get hold of surface-to-air missiles to shoot down army helicopters. It also goes into the emergence of IRA informants and \&amp;quot;supergrasses\&amp;quot; and the effect they had on operations.&#13;
&amp;nbsp;&#13;
PROVOS: THE IRA AND SINN FEIN: ENDGAME&#13;
The final episode focuses on how the military stalemate of the late 80s created a context whereby the Sinn Fein leadership could persuade the IRA Army Council that the final phase of the struggle had to be political. It also shows how the stalemate paved the way for a remarkable series of secret negotiations between the Government and the IRA which made possible the cessation of 1994. The programme also describes how, despite the end of the ceasefire and the subsequent Canary Wharf and Manchester bombings, backstage efforts for peace continued, resulting in a renewed IRA ceasefire and the current all-party talks.&#13;
&amp;nbsp;&#13;
LOYALISTS&#13;
&amp;nbsp;&#13;
Documentary series giving an intimate account of the lives of loyalist paramilitaries.&#13;
&amp;nbsp;&#13;
Episodes:&#13;
* NO SURRENDER&amp;nbsp; (21/02/1999)&#13;
* RETURNING THE SERVE&amp;nbsp; (28/02/1999)&#13;
* WAR AND PEACE&amp;nbsp; (07/03/1999)&#13;
&amp;nbsp;&#13;
NO SURRENDER&#13;
Documentary series presented by Peter Taylor, about the origins and evolution of the loyalist paramilitary movement in&#13;
Northern Ireland.&#13;
&amp;nbsp;&#13;
RETURNING THE SERVE&#13;
In the late 1970s the conflict in Northern Ireland reached new levels of brutality. Among those caught up in the violence was UVF member Billy Giles, who retaliated against IRA acts by murdering a Catholic workmate.&#13;
&amp;nbsp;&#13;
WAR AND PEACE&#13;
Former Ulster Volunteer Force (UVF) prisoners Gerry Spence and Bobby Philpott claim that Loyalist violence in the early nineties made the IRA realise they could not win. Peter Taylor reveals the true face of the Loyalist paramilitaries and assesses the prospects for peace in the face of continuing sectarian tensions.&#13;
&amp;nbsp;&#13;
BRITS&#13;
&amp;nbsp;&#13;
Three-part documentary on the role of the British armed forces in Northern Ireland,&#13;
made by journalist Peter Taylor. Continues the history of the Troubles Taylor told in the&#13;
earlier series PROVOS and LOYALISTS.&#13;
&amp;nbsp;&#13;
Episodes:&#13;
* The SECRET WAR&amp;nbsp; (17/05/2000)&#13;
* SHOOT TO KILL&amp;nbsp; (24/05/2000)&#13;
* HOLDING THE LINE&amp;nbsp; (31/05/2000)&#13;
&amp;nbsp;&amp;nbsp; &#13;
The SECRET WAR&#13;
This programme focuses on the period 1969-1975. As the IRA launched its terror campaign in the early 1970s, Britain realised that intelligence gathering would be the key to countering their threat. Included in this part are revelations about the covert operations carried out by the army, including the story of how the security services discovered that the IRA had bugged the army\'s Northern Ireland headquarters and how they captured key IRA figures involved with the bugging.&#13;
&amp;nbsp;&#13;
SHOOT TO KILL&#13;
Examination of a series of incidents from the mid-seventies where security forces reacted with speed and&#13;
aggression. Members of Special Branch, MI6 and the army talk about the dangers of life in the war against&#13;
the IRA. In their attempts to fight fire with fire did the agents of the crown sometimes go beyond the limits&#13;
acceptable in a democractic state?&amp;nbsp; &#13;
&amp;nbsp;&#13;
HOLDING THE LINE&#13;
Third and final part of the series investigating British undercover operations in Northern Ireland. Reveals&#13;
how pressure from British intelligence services helped to bring the IRA to the negotiating table. Also looks&#13;
at the prospect for a lasting peace.&#13;
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    <title>A Death in Tehran-PBS FrontLine-November 17, 2009 </title>
    <link>http://onebigtorrent.org/details.php?id=7376</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; A Death in Tehran-PBS FrontLine-November 17, 2009 &#13;
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sdtv xvid 16x9 700kbps &#13;
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At the height of the protests following Iran's controversial presidential election this summer, a young woman named Neda Agha Soltan was shot and killed on the streets of Tehran. Her death -- filmed on a camera phone, then uploaded to the Web -- quickly became an international outrage, and Soltan became the face of a powerful movement that threatened the hard-line government's hold on power. &#13;
&#13;
In A Death in Tehran, FRONTLINE revisits the events of last summer, shedding new light on Neda's life and death and the movement she helped inspire. &#13;
&#13;
In response to the international outcry over Neda's death -- including President Obama's confirmation that he'd seen the &amp;quot;heartbreaking&amp;quot; video on YouTube -- the regime set about attempting to rewrite the story, pointing a finger at the CIA and outside agitators, the same forces they blamed for the mass street protests and allegations of vote rigging that led to the greatest upheaval in Iran since the revolution of 1979. FRONTLINE uncovers some video of Neda's killer -- a member of the Basij militia who'd been brought into Tehran by the regime's Revolutionary Guards to stamp out the &amp;quot;Green Revolution.&amp;quot; A medical doctor in the crowd who had watched Neda die now watched as the crowd considered its own violence against the Basij militia member: &#13;
&#13;
&amp;quot;They started to discuss what to do with him,&amp;quot; the doctor recalled. &amp;quot;They grabbed his wallet, took out his ID card and started shouting, 'He is a Basiji member; he is one of them,' and started swearing and cursing him, and he was begging for people not to harm him or kill him. ... They believed the police wouldn't do anything to him as the Basiji are really powerful and he would have easily have got away, so in all of the chaos they decided to release him.&amp;quot; &#13;
&#13;
The Iranian government admits 11 protesters were killed on June 20, but doctors from three Tehran hospitals confirmed at least 34 deaths. Other bodies were buried by security forces without first being identified. In October, the regime tried to script the end of the story for Neda. But instead, Neda's mother made a very public stand. The government offered her financial help if she would blame Neda's death on opponents of the regime. All she had to do was to agree to call Neda a &amp;quot;martyr&amp;quot; for the Islamic Republic. But she refused, telling FRONTLINE: &amp;quot;Neda died for her country not so I could get a monthly income from the Martyr Foundation. If these officials say Neda was a martyr, why do they keep wiping off the word 'martyr' which people write in red on her gravestone?&amp;quot; &#13;
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    <title>Dispatches - Inside Britain's Israel Lobby 2009 11 16 Ch 4</title>
    <link>http://onebigtorrent.org/details.php?id=7375</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Dispatches - Inside Britain's Israel Lobby 2009 11 16 Ch 4 &#13;
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391.98 MB/ 48:26.360/  XviD &#13;
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Inside Britain's Israel Lobby. &#13;
Dispatches investigates one of the most powerful and influential political lobbies in Britain, which is working in support of the interests of the State of Israel. &#13;
&#13;
Despite wielding great influence amongst the highest realms of British politics and media, little is known about the individuals and groups which collectively are known as the pro-Israel lobby. &#13;
&#13;
Political commentator Peter Oborne sets out to establish who they are, how they are funded, how they work and what influence they have, from the key groups to the wealthy individuals who help bankroll the lobbying. He investigates how accountable, transparent and open to scrutiny the lobby is, particularly in regard to its funding and financial support of MPs. &#13;
&#13;
&#13;
The pro-Israel lobby aims to shape the debate about Britain's relationship with Israel and future foreign policies relating to it. &#13;
&#13;
http://www.channel4.com/programmes/dispatches/ &#13;
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File Name:             dispatches - Inside Britain's Israel Lobby.avi                     &#13;
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Source: http://www.thebox.bz/details.php?id=99633 &#13;
Cap:  evil-koala &#13;
Other shunster posts at:http://www.bt-chat.com/browse.php?category=11 &#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7374">
    <title>NGC-Don't Tell My Mother I'm In (2008).The Balkans.WS-PDTV.XviD.Ekolb</title>
    <link>http://onebigtorrent.org/details.php?id=7374</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Don&amp;rsquo;t Tell My Mother I&amp;rsquo;m In&amp;hellip; (2008) &#13;
&#13;
Don't Tell My Mother I&amp;rsquo;m In&amp;hellip; shows what life is really like in a war zone. In each episode, host Diego Bu&amp;ntilde;uel (grandson of legendary surrealist cinema filmmaker, Luis Bu&amp;ntilde;uel) goes on a behind-the-scenes journey through regions with bad reputations, including: Afghanistan, Colombia, Congo, Gaza, and North Korea. &#13;
&#13;
The Balkans &#13;
15 years after the most murderous war in Europe, what has happened to the Balkans. Join Diego's trip to check the Balkans out. &#13;
&#13;
Format : AVI &#13;
Length : 349 MiB for 47mn 26s 424ms &#13;
&#13;
Codec : XviD &#13;
Source : PDTV &#13;
Language : English &#13;
Subtitles : None &#13;
Genre : Documentary &#13;
&#13;
&#13;
Video #0 : MPEG-4 Visual at 886 Kbps &#13;
Aspect : 560 x 336 (1.667) at 29.970 fps &#13;
&#13;
Audio #0 : MPEG Audio at 129 Kbps &#13;
Infos : 2 channels, 48.0 KHz &#13;
&#13;
Enjoy! &#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7365">
    <title>It Happened Here DVDrip</title>
    <link>http://onebigtorrent.org/details.php?id=7365</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Misc&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Title It Happened Here&#13;
Directed and produced by Kevin Brownlow&#13;
Runtime: 1:34:26&#13;
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Those who have seen the recent torrent called Winstanley by Kevin Brownlow will enjoy &#13;
this first effort by Brownlow and Andrew Mollon&#13;
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Excerpted from the Wiki:&#13;
&#13;
The film was directed by Kevin Brownlow, who later became a prominent film historian, and Andrew Mollo, who was to become a leading military historian. Brownlow developed the concept of the film when he was eighteen, in 1956. He turned to Mollo, a sixteen-year-old history buff, to help him with the design of costumes and sets. Mollo was intrigued by the project, and became his collaborator.&#13;
&#13;
The film was in the making for the next eight years, which the Guinness Book of World Records (as of 2003) calls the longest ever production schedule. It was shot in black and white on 16 mm film, giving it a grainy, newsreel feel. The audio quality (and lighting) on the opening reel is rather poor, which makes the dialog difficult to follow for the first few minutes. It had a cast of hundreds, all volunteers, with only two professional actors among them (Sebastian Shaw, Reginald Marsh). (A number of the extras in the film were members of British science fiction fandom, and a portion was previewed at a science fiction convention in Peterborough.&#13;
&#13;
end excerpt.&#13;
&#13;
;; Using volunteers in the manner that Peter Watkins does drew me to this film and my local library had purchased it. ;; At the time I knew nothing of Brownlow until the re-release of Winstanley (2009).&#13;
&#13;
;; Though not a do it youself effort in the practical sense of the term It Happened Here shows what can be done with minimal production equipment.&amp;nbsp; The subject of occupation is current.&amp;nbsp; A comparison of &amp;quot;It Happened Here&amp;quot; with the recent television series &amp;quot;Jericho&amp;quot; is recommended.&#13;
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&amp;nbsp;&amp;nbsp; A further exploration of how &amp;quot;newsreel&amp;quot; footage was used in the depiction of war is in &amp;quot;The Victors&amp;quot; (1963)&amp;nbsp; by Carl Foreman&amp;nbsp; and currently available on torrents.&amp;nbsp; For me it is quite telling the difference between what Hollywood stars did in &amp;quot;The Victors&amp;quot; as compared with any crop of Young Lions today.&amp;nbsp; It's not only telling, it's disheartening.&amp;nbsp; &amp;quot;The Victors&amp;quot; is one of the great anti-war films.&#13;
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Notes written November 15 2009&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;8&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;7</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7364">
    <title>La Joven Revolucion Hondureña</title>
    <link>http://onebigtorrent.org/details.php?id=7364</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
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SYNOPSIS:  This documentary &amp;quot;The young Honduran revolution&amp;quot; was made by German-Danish activist Johannes Wilm. While working for the revolutionary Nicaraguan government he snuck across the border to Honduras in early August to document the resistance movement in the neighboring Central American republic, after a military coup had overthrown Leftist president Manuel Zelaya on June 28th. By coincidence he documents how for the first time in nearly thirty years the majority of students rise up against the police in a battle of 3000 students fighting police on the campus of the Autonomous University of Honduras in Tegucigalpa on August 5th.  The documentary shows where the student leaders come from, what their analysis of the current situation is, what plans they have for changing it, and what perspective for the future they see both for them personally and for the country at large. It is 90 minutes long and it is made in Spanish with English subtitles.  The film has so far been shown in various cities in the south west and in 12 countries in Latin America.  It has been featured by a number of Latin American magazines and in the US by the Monthly Review and the Upside Down World site. It will be shown in Los Angeles at the &amp;quot;Human Rights Film Festival&amp;quot; on the 23rd of October, then in Hermosillo, Sonora where it will be shown to journalist students of Kino University on the 27th and to other students at the University of Sonora on the 29th. In Arizona where it will be shown amongst other places at the U of A  on the 9th of November and at ASU in Phoenix  on the 4th and. At UC Berkley the SDS will present it on the 12th of November. &#13;
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IMDb.............: Not yet. Feel free to create an IMDB-listing.&#13;
Year.............: 2009 &#13;
Country..........: Honduras/Nicaragua       &#13;
Runtime..........: 90 Minutes&#13;
Audio............: Spanish (Stereo)       &#13;
Subtitles........: Spanish, English, Norwegian       &#13;
Video Format.....: NTSC &#13;
Aspect Ratio.....: 16:9       &#13;
DVD Format.......: Anamorphic &#13;
DVD Source.......: DVD5       &#13;
DVD Distributor..: [url=http://www.johanneswilm.org]Johannes Wilm[/url] &#13;
Program..........: DVD Decrypter       Average Bit Rate.: 5.65 Mb/sec       Menus............: [X] Untouched                        [ ] Stripped      Video............: [X] Untouched                        [ ] Re-encoded      DVD-extras.......: [X] Untouched                        [ ] Stripped                        [ ] Re-encoded                        [ ] None      DVD-Audio........: [X] Untouched                        [ ] Stripped tracks&#13;
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Extras:       .  self-interview by creator Johannes Wilm on background for filming and terminology.      Uploader Comments:       This film is uploaded to onebigtorrent.org with the approval of film maker Johannes Wilm in an effort to spread knowledge about the situation in Honduras. It is important to us that the world sees what happens in broad daylight, so that we may better stand together in the fight for democracy and human rights. If you like this film (or even if you dislike it), please help us spread the word. You can comment the film here, at the blog of the filmmaker, or at the facebook page for the documenary. The biggest problem for political art is not piracy, it's anonymity. Help us fight it!  And enjoy! =)&#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7359">
    <title>Le Libre Penseur - Conférence 10 Oct. 2009 - 04 - Pierre Hillard.</title>
    <link>http://onebigtorrent.org/details.php?id=7359</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Talks, Debates, Interviews&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Conférence de Pierre Hillard intitulée "La marche vers l'état mondial".&#13;
Qualité correcte. 16/9 - 720x400 - Codec x264&#13;
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