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  <item rdf:about="http://onebigtorrent.org/details.php?id=7395">
    <title>CBC Doc Zone-Up Against the Wall (2009).WS-PDTV.XviD.Ekolb</title>
    <link>http://onebigtorrent.org/details.php?id=7395</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Up Against the Wall &#13;
Thursday November 19, 2009 at 8 pm on CBC-TV &#13;
&#13;
Twenty years ago, the world watched, spellbound, as the Berlin Wall came down. In the hopeful euphoria that followed, it seemed as if walls would be a thing of the past. Coinciding with the arrival of economic globalization, it looked like people and goods would finally be able to move freely across borders worldwide. &#13;
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But then 9/11 happened and, as they say, &amp;quot;everything changed&amp;quot;. In the post-9/11 world, &amp;quot;national security&amp;quot; became the watchword, and it soon became clear that walls ? and sophisticated new, hi-tech versions at that - were back with a vengeance. In fact, they were proliferating all around the world, with over a dozen new walls going up since the Berlin Wall came down. &#13;
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Up Against the Wall, produced by Gail McIntyre, and written and directed by documentary filmmaker Eileen Thalenberg, looks at this growing phenomenon of new wall-building, focusing on three hot spots around the world, where extremely controversial walls have gone up. Thalenberg travels along the huge expanse (and expense!) of the 'Tortilla Wall' that the United States is constructing along its border with Mexico. She also explores both sides of the elaborate wall and fence system Israel has built between itself and the West Bank. &#13;
&#13;
And, finally, Thalenberg journeys to the autonomous Spanish cities of Ceuta and Melilla on the coast of Morocco. The walls surrounding those little-known European enclaves in Africa give us a glimpse into the new &amp;quot;Fortress Europe&amp;quot;. With those walls blocking entry into Europe, desperate Africans risk their lives crossing the Mediterranean Sea in flimsy boats provided by human traffickers. As Thalenberg reveals, they often wind up, by the thousands, in detention camps across Europe. Most are eventually sent home. &#13;
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The fall of the Berlin Wall was an act of freedom, symbolizing the triumph of democracy over totalitarianism. &amp;quot;The great irony,&amp;quot; says Thalenberg, &amp;quot;is that the three new walls we focus on in the film were all constructed by democracies. What we found repeatedly was that walls have a stated agenda and a hidden one. Walls are often built in the name of national security, but the real reason is to keep people out, though, of course, nobody much wants to say that.&amp;quot; &#13;
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In a traumatized post 9/11 world, a wall is an easy sell. It gives the impression that something is being done to protect people. In fact, walls are an expression of what is most primitive in us all ? the fear of &amp;quot;the other&amp;quot;. &#13;
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&amp;quot;In the short term a wall may address some of those problems,&amp;quot; says Thalenberg. &amp;quot;But we found that in the longer term, in each case, there were unexpected, sometimes alarming impacts. Very often the wall made things worse.&amp;quot; &#13;
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Up Against the Wall poses the questions: Do walls, in fact, work? What are the real costs both in financial and human terms? How do walls affect people living on both sides? The film also explores the themes of borders, sovereignty, migration and human rights. &#13;
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The experience of making the film turned out to be one of the most difficult of Thalenberg's career for personal reasons. &amp;quot;I started my own life in a refugee camp with my parents, and here I was filming in refugee and detention camps. At a camp in Sicily we met an Ethiopian father holding his little girl in his arms and as I stood looking at them I thought, 'That was me and my father all those years ago.'&amp;quot; &#13;
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Up Against the Wall is produced by Stormy Night Productions III and 6663036 Canada Inc. in association with the Canadian Broadcasting Corporation. &#13;
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Format : AVI &#13;
Length : 349 MiB for 44mn 6s 79ms &#13;
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Codec : XviD &#13;
Source : PDTV &#13;
Language : English CA &#13;
Subtitles : None &#13;
Genre : Documentary &#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7394">
    <title>Man in the Sand (1999)</title>
    <link>http://onebigtorrent.org/details.php?id=7394</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Man in the Sand is a 1999 music documentary that chronicles the collaboration between Billy Bragg and Wilco, which involved the musicians creating new music to accompany lyrics that were written decades earlier by folk singer Woody Guthrie. The project, which was organized by Woody's daughter Nora, spawned two albums: Mermaid Avenue, released in 1998, and Mermaid Avenue Vol. II, released in 2000.&#13;
&#13;
The film begins with Bragg in Guthrie's original hometown of Okemah, Oklahoma, and follows along as Bragg travels to other Guthrie haunts in Texas, California, and finally, New York. Much of the documentary is also spent at the recording sessions in Chicago (December 1997) and Dublin, Ireland (January 1998). Most of the tracks from both albums were recorded at these sessions.&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;2&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;1</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7380">
    <title>Provos, Loyalists and Brits</title>
    <link>http://onebigtorrent.org/details.php?id=7380</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
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A trilogy of Documentary Series on Northern Ireland Conflict - Provos, Loyalists and Brits. Although this BBC Documentary was made several years ago, in light of Israel&amp;rsquo;s illegal occupation of the Palestine / West Bank and the atrocities committed in Gaza in January, it shows that Peace can be reached, but only every group have equal rights. &amp;nbsp;&amp;nbsp;&amp;nbsp;&#13;
&amp;nbsp;&#13;
PROVOS: THE IRA AND SINN FEIN&#13;
&amp;nbsp;&#13;
BBC documentary series looking at the history of the IRA and Sinn Fein over the past 30 years.&#13;
&amp;nbsp;&#13;
Episodes:&#13;
* BORN AGAIN&amp;nbsp; (23/09/1997)&#13;
* SECOND FRONT&amp;nbsp; (30/09/1997)&#13;
* SECRET WAR&amp;nbsp; (07/10/1997)&#13;
* ENDGAME&amp;nbsp; (14/10/1997)&#13;
&amp;nbsp;&amp;nbsp; &#13;
PROVOS: THE IRA AND SINN FEIN: BORN AGAIN&#13;
Documentary looking at the changes and rise in the Provisional IRA in Northern Ireland from 1969 on. Considers the events of civil unrest in the late 1960s, the ideology and actions of the leaders of the IRA then, which underwent a significant change after the attacks by loyalists and B Specials on Catholics and Nationalists and their homes. Looks at the background of the deployment of British troops, and how they were first welcomed, but later viewed as the enemy. Includes interviews with many older IRA members who talk about their motivations and aims, and the escalation into shooting and bombings, especially after the events of Bloody Sunday.&#13;
&amp;nbsp;&#13;
PROVOS: THE IRA AND SINN FEIN: SECOND FRONT&#13;
Looks into what was discussed at secret meetings between the British authorities and Provisional IRA during the 1970s, and how Britian may have countenanced withdrawal from Northern Ireland. Examines the emergence of Sinn Fein as a political force and the bombing campaigns both in the Province and the British mainland. Also examines the prison protests in the Maze prison, and the hunger strikes, and the effects of the deaths of Bobby Sands and other hunger strikers.&#13;
&amp;nbsp;&#13;
PROVOS: THE IRA AND SINN FEIN: SECRET WAR&#13;
Concentrates on the 1980s and the relaunch of a campaign by the IRA after the death of the hunger strikers. Looks at the increase in heavy weaponry purchased and the funding and supply lines and the IRA\'s keeness to get hold of surface-to-air missiles to shoot down army helicopters. It also goes into the emergence of IRA informants and \&amp;quot;supergrasses\&amp;quot; and the effect they had on operations.&#13;
&amp;nbsp;&#13;
PROVOS: THE IRA AND SINN FEIN: ENDGAME&#13;
The final episode focuses on how the military stalemate of the late 80s created a context whereby the Sinn Fein leadership could persuade the IRA Army Council that the final phase of the struggle had to be political. It also shows how the stalemate paved the way for a remarkable series of secret negotiations between the Government and the IRA which made possible the cessation of 1994. The programme also describes how, despite the end of the ceasefire and the subsequent Canary Wharf and Manchester bombings, backstage efforts for peace continued, resulting in a renewed IRA ceasefire and the current all-party talks.&#13;
&amp;nbsp;&#13;
LOYALISTS&#13;
&amp;nbsp;&#13;
Documentary series giving an intimate account of the lives of loyalist paramilitaries.&#13;
&amp;nbsp;&#13;
Episodes:&#13;
* NO SURRENDER&amp;nbsp; (21/02/1999)&#13;
* RETURNING THE SERVE&amp;nbsp; (28/02/1999)&#13;
* WAR AND PEACE&amp;nbsp; (07/03/1999)&#13;
&amp;nbsp;&#13;
NO SURRENDER&#13;
Documentary series presented by Peter Taylor, about the origins and evolution of the loyalist paramilitary movement in&#13;
Northern Ireland.&#13;
&amp;nbsp;&#13;
RETURNING THE SERVE&#13;
In the late 1970s the conflict in Northern Ireland reached new levels of brutality. Among those caught up in the violence was UVF member Billy Giles, who retaliated against IRA acts by murdering a Catholic workmate.&#13;
&amp;nbsp;&#13;
WAR AND PEACE&#13;
Former Ulster Volunteer Force (UVF) prisoners Gerry Spence and Bobby Philpott claim that Loyalist violence in the early nineties made the IRA realise they could not win. Peter Taylor reveals the true face of the Loyalist paramilitaries and assesses the prospects for peace in the face of continuing sectarian tensions.&#13;
&amp;nbsp;&#13;
BRITS&#13;
&amp;nbsp;&#13;
Three-part documentary on the role of the British armed forces in Northern Ireland,&#13;
made by journalist Peter Taylor. Continues the history of the Troubles Taylor told in the&#13;
earlier series PROVOS and LOYALISTS.&#13;
&amp;nbsp;&#13;
Episodes:&#13;
* The SECRET WAR&amp;nbsp; (17/05/2000)&#13;
* SHOOT TO KILL&amp;nbsp; (24/05/2000)&#13;
* HOLDING THE LINE&amp;nbsp; (31/05/2000)&#13;
&amp;nbsp;&amp;nbsp; &#13;
The SECRET WAR&#13;
This programme focuses on the period 1969-1975. As the IRA launched its terror campaign in the early 1970s, Britain realised that intelligence gathering would be the key to countering their threat. Included in this part are revelations about the covert operations carried out by the army, including the story of how the security services discovered that the IRA had bugged the army\'s Northern Ireland headquarters and how they captured key IRA figures involved with the bugging.&#13;
&amp;nbsp;&#13;
SHOOT TO KILL&#13;
Examination of a series of incidents from the mid-seventies where security forces reacted with speed and&#13;
aggression. Members of Special Branch, MI6 and the army talk about the dangers of life in the war against&#13;
the IRA. In their attempts to fight fire with fire did the agents of the crown sometimes go beyond the limits&#13;
acceptable in a democractic state?&amp;nbsp; &#13;
&amp;nbsp;&#13;
HOLDING THE LINE&#13;
Third and final part of the series investigating British undercover operations in Northern Ireland. Reveals&#13;
how pressure from British intelligence services helped to bring the IRA to the negotiating table. Also looks&#13;
at the prospect for a lasting peace.&#13;
&amp;nbsp;&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;0&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;9</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7379">
    <title>PBS Frontline-A Death in Tehran.S28E04.WS-PDTV.XviD.Ekolb</title>
    <link>http://onebigtorrent.org/details.php?id=7379</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; FRONTLINE: A Death in Tehran &#13;
Aired: November 17, 2009 &#13;
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FRONTLINE investigates the life and death of the woman whose image remains a potent symbol for those who want to keep the reform movement alive in Iran. At the height of the protests following Iran's controversial presidential election this summer, a young woman named Neda Agha Soltan was shot and killed on the streets of Tehran. &#13;
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Her death filmed on a camera phone, then uploaded to the Web quickly became an international outrage, and Soltan became the face of a powerful movement that threatened the hard-line government's hold on power. In A Death in Tehran, FRONTLINE revisits the events of last summer, shedding new light on Neda's life and death and the movement she helped inspire. &#13;
&#13;
FRONTLINE World &#13;
Uganda's &amp;quot;Impenetrable Forest,&amp;quot; home to half the world's population of Mountain Gorillas, is also a hotbed for a number of deadly diseases that cross the species barrier from animals to humans. &#13;
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Format : AVI &#13;
Length : 465 MiB for 56mn 14s 280ms &#13;
Codec : XviD &#13;
Source : PDTV &#13;
Language : English &#13;
Subtitles : None &#13;
Genre : Documentary &#13;
&#13;
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&#13;
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Enjoy! &#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=7360">
    <title>CBC the fifth estate-Over the Edge.S19E07.WS-PDTV.XviD.Ekolb</title>
    <link>http://onebigtorrent.org/details.php?id=7360</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; News &amp; Current Affairs&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Over the Edge &#13;
Aired: Nov 13, 2009 &#13;
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On February 23, 2009, 24-year-old Sam Brown of British Columbia was arrested by U.S. authorities in Washington State as he landed a helicopter he had piloted across the border. Sam&amp;rsquo;s crime: he was attempting to smuggle almost 200 kilograms of marijuana, &amp;ldquo;B.C. Bud&amp;rdquo;. Only a few days after his arrest, Sam hanged himself in his jail cell. In Over the Edge, Linden MacIntyre takes us into the world of drug smuggling in B.C. and the role in it of young people like Sam Brown. &#13;
Sam was an extreme sports enthusiast, who thrived on the adrenaline of risk taking. He grew up in the B.C. interior, living in Nelson, where the flourishing mountain biking scene offered him new challenges. Rugged and picturesque, Nelson is a hotbed for the young and unconventional, a magnet for extreme sports enthusiasts&amp;mdash;and a centre for the lucrative, underground marijuana industry. &#13;
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The homegrown pot, &amp;ldquo;B.C. Bud&amp;rdquo;, pours billions of illegal dollars into local economies in B.C. Huge demand for the drug has allowed Nelson to ride out normal economic swings. But &amp;ldquo;B.C. Bud&amp;rdquo; also fuels a multi-billion dollar criminal enterprise on B.C.&amp;rsquo;s lower mainland and the United States, sustained largely by a core group of thrill-seekers like Sam&amp;mdash;young people who smuggle drugs for the sheer high of the risk and their addiction to the money. &#13;
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In Over the Edge, the fifth estate reconstructs Sam&amp;rsquo;s final smuggling mission. Linden MacIntyre speaks with a former smuggler who recruited Sam into that world. Viewers will also hear from his sisters and father, still grappling with the circumstances of his arrest and his death, as well as Sam&amp;rsquo;s American lawyers, some of the last people to speak with him before he took his life. &#13;
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Format : AVI &#13;
Length : 349 MiB for 44mn 59s 933ms &#13;
&#13;
Codec : XviD &#13;
Source : PDTV &#13;
Language : English CA &#13;
Subtitles : None &#13;
Genre : Documentary &#13;
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    <title>Aljazeera - I Knew Khomeini - 12-11-09</title>
    <link>http://onebigtorrent.org/details.php?id=7348</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Grand Ayatollah Khomeini - the architect and face of the Iranian revolution.&#13;
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Rarely in modern history has a man who did not seek power come to wield so much of it. A leading religious scholar, he became the spiritual leader of the Iranian revolution.&#13;
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Rageh Omaar recounts how he replaced the last Shah of Iran through those who knew him best.&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;4&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;3</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=6606">
    <title>PBS Independent Lens-POWER PATHS.Nov 3, 2009.WS-PDTV.XviD.Ekolb</title>
    <link>http://onebigtorrent.org/details.php?id=6606</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; POWER PATHS &#13;
November 3, 2009 on PBS &#13;
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POWER PATHS offers a unique glimpse into the global energy crisis from the perspective of a culture pledged to protect the planet, historically exploited by corporate interests and neglected by public policy makers. &#13;
&#13;
The film follows an intertribal coalition as they fight to transform their local economies by replacing coal mines and smog-belching power plants with renewable energy technologies. This transition would honor their heritage and support future generations by protecting their sacred land, providing electricity to their homes and creating jobs for their communities. &#13;
&#13;
Their story is a parable for our time, when the planet as a whole hungers for alternatives to fossil fuels. For environmental trailblazers, it&amp;rsquo;s proof that going green is not only possible&amp;mdash;it&amp;rsquo;s the only choice we have. &#13;
&#13;
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The POWER PATHS story begins in the 1960s, when two massive coal mines open on Navajo and Hopi reservations in Arizona. Between them, they produce enough coal to satisfy the unquenchable energy thirsts of Phoenix, Las Vegas and Los Angeles. They also comprise the single largest strip-mining complex in the world. For more than 30 years, the mines&amp;mdash;and the Mohave Generating Station they supply&amp;mdash;scar sacred native land, drain the natural aquifers and pollute the Southwestern skies. &#13;
&#13;
Meanwhile, beneath the high-tension power lines that carry electricity to the neon-saturated Vegas Strip, Native American reservation dwellers have no electricity or running water. &#13;
&#13;
Sickened by the economic disparity and the mounting toll on their land and health, some Navajo and Hopi tribe members begin pressuring their tribal governments not to renew the mining leases, but to no avail. As a result, a handful of grassroots organizers from both tribes join forces with The Sierra Club, the Grand Canyon Trust and the National Parks and Conservation Association to fight back. Calling themselves the Just Transition Coalition, they take on wealthy and entrenched adversaries from Peabody to Southern California Edison. &#13;
&#13;
They succeed in closing the power plant (and subsequently the mines) in 2005. But the ecological and moral victory comes at a cost: About half of the adults on the reservations had worked for the mines, and are now unemployed. &#13;
&#13;
Undeterred, the Just Transition Coalition shifts gears and heads for California, where they win a legal battle to use the shuttered Mohave plant&amp;rsquo;s cap-and-trade pollution credits to finance investment in solar panels and wind turbines for their reservations. &#13;
&#13;
In one scene, a Navajo mother screws a light bulb into a kitchen socket for the first time and sees it light up, enabling her children to stop depending on sunlight or dangerous kerosene lanterns in order to do their homework. She weeps in relief and gratitude. &#13;
&#13;
Today, more tribes are seeking investments and partnerships to create green-energy economies on the reservation, with hopes that one day, renewable energy will replace casinos as a primary means for economic development and tribal self-sufficiency. &#13;
&#13;
As the nation at large struggles to disengage itself from the chains of a fossil-fuel-based economy, POWER PATHS signals cause for hope that an alternative is not somewhere in the future, but possible right now. And Native Americans are leading the way. &#13;
&#13;
Update &#13;
In June 2009, the 21st Navajo Nation Council voted 62 to 1 to establish a Navajo Green Economy Commission, according to the Sierra Club. The legislation, which is designed to take advantage of federal stimulus funds for green jobs, is intended to stimulate the economy by developing a sustainable energy infrastructure on the Navajo reservation. &#13;
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Format : AVI &#13;
Length : 465 MiB for 56mn 32s 25ms &#13;
&#13;
Codec : XviD &#13;
Source : PDTV &#13;
Language : English &#13;
Subtitles : None &#13;
Genre : Documentary &#13;
&#13;
Video #0 : MPEG-4 Visual at 1 000 Kbps &#13;
Aspect : 608 x 336 (1.810) at 29.970 fps &#13;
&#13;
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&#13;
Enjoy! &#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=6597">
    <title>ARTE - Philip Short's - Mao, A Life</title>
    <link>http://onebigtorrent.org/details.php?id=6597</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; The video counterpart to Philip Short&amp;rsquo;s monumental book Mao: A Life, this four-part series guides viewers through the dynamic, innovative, and brutal accomplishments of the revolutionary Chinese leader. Short&amp;mdash;a BBC and Times of London foreign correspondent assigned to China immediately after Mao Zedong&amp;rsquo;s death in 1976&amp;mdash;serves as the series&amp;rsquo; writer and narrator, providing the same rigor and panoramic scope that enriches his biography.&#13;
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But these programs go where no book can: into a trove of film and video materials kept secret for decades by Chinese authorities, and&amp;mdash;through interviews granted exclusively to the filmmakers&amp;mdash;into face-to-face meetings with the last surviving members of Mao&amp;rsquo;s inner circle. Viewers will encounter a spellbinding view of 20th-century Chinese history, as well as a glimpse of the country&amp;rsquo;s future.&#13;
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Members of Mao&amp;rsquo;s family, including his daughter-in-law and granddaughter, describe life in the Chairman&amp;rsquo;s home, while Sidney Rittenberg, an American scholar who worked alongside Mao, reflects on his harrowing experiences. Mao&amp;rsquo;s chief bodyguard, his doctor, and two former Politburo officials who took part in the Long March of 1934-35 share their wealth of knowledge and observations. Other staff members attached to Mao&amp;rsquo;s private office illuminate the Chairman&amp;rsquo;s cloistered but momentous twilight years.&#13;
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For students of Mao&amp;rsquo;s era, this series may well represent the most powerful learning tool available. Its four-part structure is organized around major phases of the leader&amp;rsquo;s life and career, with generous attention given to Mao&amp;rsquo;s influence on today&amp;rsquo;s China. Not available in French-speaking Canada. 4-part series, 60 minutes each.&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;0&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;0</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=6562">
    <title>PBS Independent Lens-Journals of a Wily School.Oct 27, 2009.WS-PDTV.XviD.Ekolb</title>
    <link>http://onebigtorrent.org/details.php?id=6562</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Episode: Journals of a Wily School &#13;
Aired: Oct 27, 2009 &#13;
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&amp;ldquo;In childhood when we would play thieves and police, I would always be the thief. Being a thief must have become a habit, and now I&amp;rsquo;ve become a real one!&amp;rdquo; &#13;
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&amp;mdash;Azad Jalaluddin, pickpocket &#13;
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On the hot and crowded streets of Kolkata (formerly Calcutta), three thousand pickpockets ply their trade every day, three hundred of them circulating through police custody at any given time. JOURNALS OF A WILY SCHOOL takes viewers inside the world of these petty thieves and the detectives who doggedly pursue them, day in and day out. &#13;
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With unprecedented access, first-time director Sudeshna Bose follows a young and talented pickpocket named Azad Jalaluddin, revealing in cinema verit&amp;eacute; style the many layers of his life. The eldest of five children, the 22-year-old lives with his family. While his sisters go to school and his father works in the wholesale fish trade, Azad spends his days picking pockets, using drugs and binging on Bollywood films. His mystified father voices frustration over the wayward son who fancies himself a don and compares himself to the stars of the big screen. &#13;
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Azad speaks candidly about his profession, seemingly delighted to have a film crew following him about his day. He happily shares the tricks of his trade, which in Kolkata have been elevated to an art form. &#13;
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To hone his craft, Azad attends an unusual school where a master pickpocket leads his attentive disciples through a series of challenges. In one, they must reach their hands into a bucket of water and retrieve a coin without creating ripples. In another, the students must carefully use a razor blade to slit a cloth wrapped around a melon, without cutting the melon&amp;rsquo;s smooth skin. &#13;
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Although a thief, Azad maintains an ethical stance in certain areas. As a matter of course, he returns wallets to their rightful owners&amp;mdash;usually by mail&amp;mdash;after he has pilfered all cash and valuables. Following a particularly lucrative haul, he returns some small change to the wallet so its owner can buy cigarettes. &amp;ldquo;Have to help the poor guy,&amp;rdquo; he says. &#13;
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But Azad&amp;rsquo;s ethics are put to the test when he inevitably lands himself in jail. Police detective Bidhan Saha, a hard-nosed cop with a fatherly bent, takes Azad under his wing, offering him a pardon and a salary if he will turn in his fellow thieves. The detective is convinced of Azad&amp;rsquo;s promise and works diligently to build rapport, visiting his home and even taking him on a beach vacation. Given a second chance and the hope for redemption, what choice will Azad make? Collaboration or incarceration? Loyalty or self-interest? Respectability or the lure of the city streets? &#13;
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As it follows Azad&amp;rsquo;s dilemma, the film offers a fascinating look into crime and criminal justice in a city recognized the world over for its intense poverty. The former home of Mother Teresa, Kolkata&amp;mdash;like much of India&amp;mdash;is also a city in transition: a teeming metropolis with a growing economy and a burgeoning middle class. With more capital in the city, the stakes for those on both sides of the law are set ever higher. &#13;
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JOURNALS OF A WILY SCHOOL is a classic tale of cops and robbers, set in changing and paradoxical times&amp;mdash;for even as the ancient city creeps towards modernity, many of its inhabitants, like Azad, will remain caught in the age-old struggle to survive. &#13;
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Update &#13;
In August 2009, the film&amp;rsquo;s producer, Debu Bhattacharyya, reported that Azad had returned to his life as a pickpocket, noting that, despite the hardships, &amp;ldquo;He says that this is where his heart lies.&amp;rdquo; Police detective Bidhan Saha was continuing his work and expanding his networks of informants to address issues of national security. &#13;
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Format : AVI &#13;
Length : 465 MiB for 55mn 19s 185ms &#13;
Codec : XviD &#13;
Source : PDTV &#13;
Language : Hindi &#13;
Subtitles : English Hardcoded &#13;
Genre : Documentary &#13;
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Video #0 : MPEG-4 Visual at 1 024 Kbps &#13;
Aspect : 608 x 336 (1.810) at 29.970 fps &#13;
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Audio #0 : MPEG Audio at 138 Kbps &#13;
Infos : 2 channels, 48.0 KHz &#13;
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Enjoy! &#13;
Ekolb&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;9&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;9</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=6542">
    <title>CBC the fifth estate-Broken Heroes.S19E05.HDTV.XviD.Ekolb</title>
    <link>http://onebigtorrent.org/details.php?id=6542</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; News &amp; Current Affairs&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Broken Heroes &#13;
Aired: Oct 30, 2009 &#13;
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Every November 11 we mark Remembrance Day to honour the sacrifices made by those who serve their country in wartime. We remember, especially, the dead and those who carry the physical wounds of war. But, what of those with the invisible injuries, the crippling wounds of post-traumatic stress disorder (PTSD)? &#13;
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In Broken Heroes, Gillian Findlay introduces us to three Canadian soldiers, recently returned from Afghanistan: Jeff, Matt and Dave. All three speak candidly about the hell that now consumes their lives: flashbacks hurtling them back to the danger of the war zone, grief for dead comrades, their ongoing battles with addiction, even suicide attempts. &#13;
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PTSD is not a new phenomenon. In the First World War, it was called &amp;ldquo;shell shock&amp;rdquo;, never really understood, and never adequately dealt with. But, the urgency to find a treatment has never been greater. By the time Canada&amp;rsquo;s combat mission in Afghanistan is over in 2011, 35,000 Canadian men and women will have served there. Using the military&amp;rsquo;s own arguably conservative estimate, as many as 2,000 of those could be coming home with PTSD. &#13;
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Format : AVI &#13;
Length : 349 MiB for 44mn 39s 579ms &#13;
Codec : XviD &#13;
Source : HDTV &#13;
Language : English CA &#13;
Subtitles : None &#13;
Genre : Documentary &#13;
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Video #0 : MPEG-4 Visual at 952 Kbps &#13;
Aspect : 608 x 336 (1.810) at 29.970 fps &#13;
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Audio #0 : MPEG Audio at 128 Kbps &#13;
Infos : 2 channels, 48.0 KHz &#13;
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Ekolb&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;13&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;3</description>
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