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  <item rdf:about="http://onebigtorrent.org/details.php?id=2395">
    <title>LinkTV Cinemondo, Waiting for Happiness (2002)</title>
    <link>http://onebigtorrent.org/details.php?id=2395</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
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LinkTV Cinemondo, Waiting for Happiness (2002)&#13;
sdtv rip, divx, english sub&#13;
Original seed: superseeded, if you don't pass the piece, you won't get next piece..allow enough upload to speed this torrent up and let's move on!&#13;
Titles known as:&#13;
Heremakono (2002)&#13;
En attendant le bonheur (France)&#13;
Waiting for Happiness (International: English title) &#13;
http://en.wikipedia.org/wiki/Waiting_for_Happiness&#13;
http://www.imdb.com/title/tt0308363/&#13;
http://www.rottentomatoes.com/m/10002025-waiting_for_happiness/&#13;
http://www.seattlefilm.org/festival/film/detail.aspx?id=21588&amp;amp;fid=32&#13;
Waiting for Happiness&#13;
Category: World Cinema: Cinemondo&#13;
Regions: Europe, Sub-Saharan Africa&#13;
Topics: Race / Ethnicity / Ethnic Conflict&#13;
Mauritania, 100 minutes &#13;
Dir: Abderrahmane Sissako (Life on Earth) &#13;
;; &#13;
Official Selection &amp;mdash; New York, Toronto and Cannes Film Festivals&#13;
Winner &amp;mdash; FIPRESCI PRIZE, Un Certain Regard, Cannes Film Festival &#13;
;; &#13;
Master filmmaker Abderrahmane Sissako unveils a new vision of Africa &#13;
with this luxuriously rhythmic, carefully observed film. Nouadhibou &#13;
is a small seaside village on the Mauritanian coast, and amongst its &#13;
white-washed buildings and melodic songs passed down through &#13;
generations, lives intertwine while waiting for a hypothetical &#13;
happiness. &#13;
;; &#13;
After a long absence, the seventeen-year-old Abdallah visits his &#13;
mother before emigrating to Europe. Unable to speak the local &#13;
language, the melancholic young man finds himself a stranger in his &#13;
own country. Traditional, colorful fabrics interest him much less &#13;
than the latest European trends, and though he shies away from &#13;
village customs and festivities, Abdallah watches this touching, &#13;
foreign universe unfold around him with sheer sensitivity. &#13;
;; &#13;
This film features an introduction with writer/director, &#13;
Abderrahmane Sissako, hosted by Peter Scarlet, and a 9-minuate post &#13;
show wrap up where Sissako discusses Waiting for Happiness and his &#13;
latest film, Bamako. &#13;
;; &#13;
The Court was selected for this year's New York Film Festival and &#13;
was screened at the 2006 Cannes Film Festival. &#13;
;; &#13;
&amp;ldquo;Waiting for Happiness is Mr. Sissako&amp;rsquo;s nod to a small hamlet&amp;rsquo;s &#13;
ability &amp;mdash; no, its need &amp;mdash; to greet encroaching advancement with a &#13;
shrug&amp;hellip;We can only guess that Mr. Sissako is also using the movie as &#13;
a way of dealing with the possibility that he&amp;rsquo;s being hailed as &#13;
Africa&amp;rsquo;s next big thing. It&amp;rsquo;s a momentous responsibility to &#13;
shoulder, and like Abdallah, the director is still in the process of &#13;
establishing who he is.&amp;rdquo; &amp;mdash; Elvis Mitchell, The New York Times &#13;
;; &#13;
To learn more, or to purchase this program, visit New Yorker Films. ;; &#13;
;; &#13;
About Cinemondo&#13;
This film is part of Link TV&amp;rsquo;s world cinema series Cinemondo, &#13;
premiering entertaining and award-winning foreign films from some of &#13;
the world&amp;rsquo;s most talented directors. &#13;
&#13;
Director: Abderrahmane Sissako&#13;
Starring: Katra Ould Abder Kader, Matta Ould Mohamed Abeid, Nana &#13;
Diakit&amp;eacute;&#13;
Mauritania-born Director Abderrahmane has been hailed as African &#13;
cinema's next big thing. Whether that translates into wide &#13;
viewership is another story, considering his film opened in London &#13;
last week without the attention it deserved. Not that his &#13;
melancholy, poetic, ethereal Waiting for Happiness arrived in town &#13;
like a circus, Kill Bill-style. Instead it arrived in a big, cynical &#13;
city like London like the protagonist of the film: timid, displaced &#13;
and not speaking quite the same language. &#13;
In Waiting for Happiness, seventeen-year-old Abdallah visits his &#13;
native village before he sets off to Europe. This event serves as &#13;
the pretext for the film's exquisite visual tapestry and equally &#13;
entrancing soundtrack, although Sissako avoids dwelling on it too &#13;
much. Abdallah feels estranged from the place, not being able to &#13;
speak the local dialect, and spends his time observing the timeless &#13;
pace of the city through the frames of his mother's house in this &#13;
desert-like, windswept north-western part of Africa. &#13;
The story in the film resonates with the probable trajectory the &#13;
film will have on the commercial circuit, despite having won the &#13;
International Critics' Prize in Cannes 2002. Like a precious stone, &#13;
those who will love it will have to do a considerable amount of &#13;
digging just to find it.&#13;
It's difficult to recommend a film like this in the context of the &#13;
story itself. We have to take Abdallah's point of view and simply &#13;
observe the townsfolk's lives unravelling. We see a young girl being &#13;
coached to sing traditional Arab music; a local handy man (Maata) &#13;
trying to connect electricity to a house, with little success. He is &#13;
helped by Khatra, a boy of six or seven, who helps Maata on his &#13;
errands while infusing the film with a charm and humour that comes &#13;
from his dream of owning a blue overall (a dream that we eventually &#13;
see coming true).&#13;
We also meet Nana, a beautiful woman who is going through a &#13;
melancholy phase inb her life, signified by frequent flashbacks to a &#13;
romantic trip to Europe. Then there's a Chinese man who is fond of &#13;
karaoke, Abdallah's mother and a roster of other fleeting characters &#13;
which stock the film with faces while the ambiance, the mood and the &#13;
general pace of the film does the rest.&#13;
Redolent of Italian Neo-realism, Waiting for Happiness completely &#13;
goes against the grain of both contemporary mainstream and &#13;
independent cinema. Subtle and philosophical, it requires poetic &#13;
language to describe it. Like a lullaby wafting across the hazy &#13;
afternoon of the metaphysical landscape it contains and is contained &#13;
by, it takes the viewer to a universe that is timeless &amp;ndash; perhaps the &#13;
only temporal signifiers are the tacky gadgets the Chinese men &#13;
sells, the old cars, the electricity. But it doesn't seem like the &#13;
director is concerned in showing a place that has resisted the &#13;
encroachment of globalisation, or any other political issues for &#13;
that matter &amp;ndash; this is not a topical film. Rather it's a director's &#13;
poetic gaze at people he knows and a place with which he is &#13;
emotionally connected.&#13;
;;&#13;
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