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    <title>The Belgrade Phantom 2009 DVDRip</title>
    <link>http://onebigtorrent.org/details.php?id=5881</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; &#13;
&#13;
&#13;
Belgrade, Yugoslavia, 1979. While Yugoslav president Tito is in Cuba settling international matters, a mysterious Phantom occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets. Through the radio the Phantom publicly challenges the police to try and catch him. More than 10.000 people are in the streets supporting their hero. The police are forced into a game where he sets the rules. The Phantom becomes a political threat. What started as a game turned into a political scandal and remained a myth that would never be forgot.&#13;
&#13;
&#13;
Release Date: July 2009&#13;
Subtitles: MK,EN&#13;
Source: RETAiL DVD5 R2&#13;
Size: 50 x 15 Mb&#13;
IMDB Rating: 7.9/10&#13;
Runtime: 77 Minutes&#13;
Genre: Action&#13;
&#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=5751">
    <title>Vukovar – The Final Cut (EX-Yugoslavia conflict in croatia)</title>
    <link>http://onebigtorrent.org/details.php?id=5751</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; This                film represents an effort to create a truthful story about everything                that happened in Vukovar (Croatia) during the spring, summer and                fall of 1991, as well as what happened before this time, shortly                after the tragic event of 1991, and what the historical, societal                and emotional consequences are, after years of pain, suffering and                disappointment.&#13;
We believe that the historical distance of fifteen years is large                enough to allow us to make an important, investigative documentary                tied to the most painful point of this region. &#13;
It is also very important to mention that this is the first Serbian-Croatian                co-production about this painful topic, whose wounds have yet to                heal, even after fifteen years&amp;rsquo; time.&#13;
 Reporters and investigators from both sides of the Danube River,                located in the middle of Europe, and in whose waters&amp;rsquo; corpses had                floated for nearly a decade, tried to solve the riddle of the true                reasons that le up to the great Balkan tragedy. &#13;
 This is not a film made by outside observers or nonchalant journalists.                Nor was it made by war dog reporters who are in the Balkans today,                tomorrow in the Near East and in Baghdad the day after; some of                us were in the middle of the apocalypse of Vukovar while the city                was being torn apart. Some were running from Milosevic&amp;rsquo; regime's                attempts to make them soldiers of the Yugoslav National Army and                mobilizing them to participate in the foolish operations of destroying                Vukovar. Others who were independent and crafty were able to, as                people and reporters, spend time on both the Serbian and Croatian                sides of the front. &#13;
 We are now, once again, on the same mission, to, with the help                of the survivors and available archives, try and put together the                pieces of this impossible mosaic. We have created an insider&amp;rsquo;s story                about what actually happened in Vukovar. This is the first objective                and propaganda-less film, which is neither a Serbian documentary                nor a Croatian one. With no intentions of serving any political                causes, this film is more interested in serving the purpose of truth.                We are all interest in the story of Vukovar, because it is a part                of all of our lives. &#13;
 We have tried to comprehend why Vukovar, a rich Slavonian town                famous for being a &amp;quot;miniature Yugoslavia,&amp;quot; Tito's exemplary                town of unity, was the one location to suffer total apocalypse,                one comparable to the sacrifice and siege of Stalingrad, and by                the extent of destruction, and scenes shown around the world, reminiscent                of Hiroshima and Nagasaki. &#13;
Why was a city which had no strategic interest in military and                police force formations in the conflict between the Yugoslav National                Army and the Croatian military, so systematically destroyed while                the Serbian (Milosevic) and Croatian (Tudjman) leaders walked around                Tito&amp;rsquo;s estate all the while, discussing plans for a new division                of Yugoslavia?&#13;
 The film about Vukovar will be thematically separated into three,                connected parts:&#13;
&amp;bull; immediately before the war, spring and summer of 1989; &#13;
&amp;bull; the siege and defence of Vukovar &#13;
&amp;bull; (a film about the film): &#13;
&amp;bull; the fall of Vukovar 18.11.1991,&#13;
&amp;bull; the Ovcara massacre (more than 200 murdered civilians) and the                court process for these war crimes which unfolded in front of the                Belgrade Special War Crimes Court.&#13;
 The investigation included talks with people who made up the destiny                of the people at this time, on both sides of the front, and discussions                with many people, mostly civilians, who witnessed war-time activity                in Vukovar, and who were not in the forefront at the time, but whose                eyewitness accounts are very interesting in describing individual                situations and events. &#13;
 The furthest investigations included checking through archives                of the most important Croatian media outlets during this period                of time: the Vjesnik newspaper documentation (the best in Croatia),                HTV&amp;rsquo;s archive, an archive of local television stations that worked                at this time (TV Dunav, TV Baranja, Slavonska television, Vinkovacka                television, TV Backa Palanka), and several private archives, amateur                video footage taken from Vukovar attics to be used in our film.&#13;
 Similar investigative work was done in Serbia, where there is                still much material and archives of a state that is under an embargo                because of Hague indictees, who are deeply involved in the story                of this film. &#13;
 Archival footage used in this film was taken from a number of                sources: Zastava film, Film News, Radio Television Croatia, Radio                Television Serbia, AP, ITN, Reuters and private footage. &#13;
 The list of interviewees is also a very long one and includes                names such as Marin Vidic Bili, Tomislav Mercep, Dr. Vesna Bosanac,                Ferdinad Jukic (Mercep's activities in Vukovar), Zeljka Juric (the                little girl in the blue coat from the BBC footage of Vukovar a day                after its fall), Branko Borkovic, Croatian volunteer soldier, Martin                Spegelj, Ivan Vekic (interior minister in the Government of National                Unity), Aleksandar Vasiljevic (a retired Serbian general), Zoran                Stankovic (pathologist and current Serbia-Montenegro Defence Minister),                Jovan Dulovic and Dejan Anastasijevic and other Vreme magazine journalists,                Serbian volunteers and drafted soldiers from the Vukovar battlefield,                families of the Ovcara victims and many others.&#13;
&#13;
DIRECTORIAL APPROACH&#13;
This is not a simple television report on Vukovar today and fifteen                years ago. This is a film where perpetrators of the crimes brought                back to the place where the tragedy occurred, sometimes in the same                frame.&#13;
The camera is an accessory in uncovering this crime, often curious,                inquisitive, rude, restless, always in the service of reconstructing                the crime, performing its duties as dirtily as the Vukovar war was                itself.&#13;
Archival material serves as a starting point, an illustration of                the story, but it is often a crude means consciously manipulated                by the director. It looks for protagonists and witnesses from the                archival footage or uncovers the role of the media in the presentation                of someone's personal tragedy.&#13;
The editorial cut is a fascinating and unflinching means for achieving                maximum emotional effect. The style is a direct and merciless cut,                The Final Cut, the title of our film. &lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;2&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;0</description>
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    <title>Neovisna Abhazija, san i stvarnost(Independent Abhasia, dream and reality)</title>
    <link>http://onebigtorrent.org/details.php?id=5684</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Neovisna Abhazija, san i stvarnost&#13;
&#13;
13.8. prosle godine Abhazija je proglasila &amp;quot;oslobodjenje&amp;quot; od Gruzije. Uspostavljena je, kako se tada isticalo, teritorijana cjelovitost i suverenitet. S Gruzijom Abhazi su vodili rat i izmedju 1992. i 1993., da bi prosloljetna avantura gruzijskog predsjednika u konacnom rjesavanju pitanja Juzne Osetije i Abhazije zavrsila proglasenjem neovisnosti.&#13;
Ekipa HTV-a boravila je prije nekoliko tjedana u Abhaziji otkrivajuci kako njezinih 200.000 stanovnika pozivljava novu sadasnjost. Koliko se osvrcu na proslost, Staljin je tu rodjen, a koliko ih brine buducnost? Nedostaje im mnogo toga, a najvise strani investitori! Kada i svijetu krene na bolje, Abhazi ocekuju, mnogo od turizma kao glavnog aduta u stabiliziranju gopodarstva, ali i politike.&#13;
&#13;
&#13;
13 August 2008.&#13;
Russia has recognized the independence of seceded Georgian autonomies of the South Osetia and Abhasia.&#13;
Croatian documentary about present time and political conditions in Abhasia.&#13;
Will Abhasia become fully recognized state?&#13;
&#13;
&#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=5613">
    <title>PBS Frontline - Breaking the Bank (2009.HDTV.SoS)</title>
    <link>http://onebigtorrent.org/details.php?id=5613</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Originally aired: 2009.06.16 &#13;
&#13;
&amp;quot;The bets were huge and risky: billions of dollars on the housing market. The upside was undeniable: Superbanks reaped billions of dollars, dominated the landscape and gobbled up competitors. Then the bottom dropped out--the massive losses on Wall Street nearly broke the banks. In the worst crisis in decades, brand-name banks are on the brink of failure. Now, as the federal government contemplates what could become a massive nationalization of the industry, FRONTLINE goes behind closed doors to tell the inside story of how things went so wrong so fast, and to document efforts to stabilize the industry. Veteran FRONTLINE producer Michael Kirk ('Inside the Meltdown') untangles the complicated financial and political web threatening one superbank in particular, Bank of America.&amp;quot; &#13;
&#13;
more info: http://www.pbs.org/wgbh/pages/frontline/breakingthebank/ &#13;
&#13;
== &#13;
Runtime: 54:27 &#13;
Source: OTA High Definition 1080i &#13;
Encoding: xvid.720x400.1651kbps.mp3.160.vbr &#13;
File Size: 700MB &#13;
&#13;
Support your local PBS Station by making a contribution or by purchasing their DVDs. To help speed up future releases, please try to seed this torrent as much as possible. Thanks. &#13;
== &#13;
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  <item rdf:about="http://onebigtorrent.org/details.php?id=5539">
    <title> The Biography of Josip Broz Tito</title>
    <link>http://onebigtorrent.org/details.php?id=5539</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; The personal life of Josip Broz Tito, the man who single-handedly kept Yugoslavia together through sheer force of will for 40 years.&#13;
&#13;
Partisan, prisoner, marshal, president, celebrity. In this film, Tito's story is told by the people who knew him best. Colleagues, friends, and servants all give their account of the man who led strife-torn Yugoslavia from German occupation in World War II and walked her down a political tightrope for 40 years, begrudgingly gaining the respect and admiration of both the Soviet and Western superpowers.&#13;
&#13;
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    <title>Josip Broz TITO</title>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=5024">
    <title>The Corporation [XviD - Italian Mp3]</title>
    <link>http://onebigtorrent.org/details.php?id=5024</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt;  &#13;
&#13;
THE CORPORATION&#13;
&#13;
Titolo originale:The Corporation&#13;
Paese: Canada&#13;
Anno: 2003&#13;
Durata: 145'&#13;
Genere: Documentario&#13;
Regia: Mark Achbar, Jennifer Abbott&#13;
Soggetto: Joel Bakan&#13;
Sceneggiatura: Joel Bakan, Harold Crooks, Mark Achbar&#13;
Produttore: Mark Achbar, Bart Simpson&#13;
Cast:Noam Chomsky, Howard Zinn, Michael Moore. Milton Friedman, Naomi Klein, Jeremy Rifkin, Vandana Shiva, Peter Drucker&#13;
&#13;
&#13;
The Corporation &amp;egrave; un documentario canadese del 2003, diretto da Mark Achbar e Jennifer Abbott e tratto dall'omonimo libro di Joel Bakan (pubblicato da Fandango Libri). &amp;Egrave; stato distribuito in Italia dalla Fandango distribuzione ed &amp;egrave; commercializzato anche da Feltrinelli, nella collana Real Cinema.&#13;
&#13;
Il documentario analizza il potere che hanno le multinazionali (quelle che in America vengono chiamate corporations) nell'economia mondiale, dei loro profitti e dei danni che creano.&#13;
&#13;
&#13;
MOVIE ANALYSIS&#13;
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&#13;
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    <title>No Pasaran!</title>
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    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt; Vladimir Likhatchev's "No Pasaran", a documentary movement about&#13;
ecological protest campaign with participation of Rainbow Keepers,&#13;
Autonomous Action and other anarchist groups in Azov of Russia in&#13;
summer of 2003&#13;
&#13;
&#13;
---&#13;
&#13;
No pasaran!&#13;
&#13;
Dokumentti kertoo ympäristöprotestikampanjasta Venäjällä Azovin kaupungissa kesällä 2003. Azovin asukkaat yhdessä ”Rainbow Keepers” ja ”Autonomous Action” - ryhmien radikaalien vihreiden kanssa puolustavat oikeuksiaan puhtaaseen ympäristöön ja taistelevat metanolin täydennysterminaalin rakentamista vastaan kaupungin lähelle. Tämä dokumentti on kuvaus lähes kaksi kuukautta kestäneestä kamppailusta. Radikaali protestitoiminta (tiesulut, mielenosoitukset, lakot), ihmisten liikekannallepano, protestileirin elämä sekä vihreiden ja paikallisten asukkaiden suhteet ovat videokameran kohteena. Katsojista tulee dramaattisten tapahtumien osallisia. ”Protestikarnevaalin” erityinen tunnelma saa valtaansa myös dokumentin sankarit. He huutavat ”No Pasaran!” terminaalin rakentajille. ”No Pasaran!” on myös vihreiden aktivistien tunnuslaulu. Heillä oli tapana laulaa sitä barrikadeilla… mutta jos ympäristölle vaarallista kohdetta ei voida kieltää… niin ehkä liikekannallepano ja itsetietoisuuden herääminen ovat jo pieni voitto? &lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Seeders: &lt;/b&gt;&lt;/font&gt;3&lt;br /&gt; &lt;font size="3"&gt;&lt;b&gt;Leeches: &lt;/b&gt;&lt;/font&gt;1</description>
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  <item rdf:about="http://onebigtorrent.org/details.php?id=3958">
    <title>Free Trade Is Killing My Mother (TVO TVrip 20080824)</title>
    <link>http://onebigtorrent.org/details.php?id=3958</link>
    <description>&lt;font size="3"&gt;&lt;b&gt;Category:&lt;/b&gt;&lt;/font&gt; Documentary&lt;br /&gt;&lt;font size="3"&gt;&lt;b&gt;Description:&lt;/b&gt;&lt;br /&gt;&lt;/font&gt;  &#13;
&#13;
In the spring of April 2001, Toronto journalist and filmmaker Jamie Kastner was out of work and his parents were out of town. So, he took their little &amp;quot;red&amp;quot; van and went to join the revolution. Jamie drove to Quebec City with his friend Guy O'Sullivan in a Roger and Me-style journey to join the protest against the Summit of the Americas. Free Trade Is Killing My Mother is a record of their journey. &#13;
&#13;
With Starbucks in one hand and anti-globalization bible No Logo in the other, Kastner takes the revolution to task. Kastner's play at Canadian middle-class na&amp;iuml;v&amp;eacute;t&amp;eacute; is a weapon, asking a tourism employee where the best places to throw bombs might be, and whether &amp;quot;this auberge has a portrait of Chairman Mao.&amp;quot; He exposes the contradictory jumble of goals that divide the protestors, and even pokes bitter fun at his college competitor, Naomi Klein. &#13;
&#13;
Shot from the hip on Mini DV, intercut with protest footage from the Russian Revolution to Berkeley in the 1960s, Free Trade Is Killing My Mother is Kastner's directorial debut. Kastner has worked on a wide range of documentaries and series for TVO, CBC, and MuchMusic. He is also a regular columnist and feature writer for The Globe and Mail, and a produced playwright. &#13;
&#13;
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